%abc
%%%%                   P E R S I A   
%      
%            musiques du folklore indo-aryen
%                      
%                      
%                   
%
% Les airs sont au format ABC (http://www.gre.ac.uk/~c.walshaw/abc/).
% Quelques logiciels recommandés pour interpréter ce format de fichier :
%    AbcMus1.1b  http://home.swipnet.se/hnorbeck/abcmus/  (pour l'écoute)
%    Abc2win     http://www.c7r.com/abc/ (pour la visualisation des notes)
%    Abcm2ps     http://moinejf.free.fr/ (pour le format postscript)
%
%% © Copyright (c) Eric Forgeot <anamnese@laposte.net>  
%                  - http://anamnese.fr.st
%    Autre copyright pour les autres auteurs respectifs.
%
% Le "copyright" signifie seulement qu'il n'est pas permis 
% d'utiliser mon travail de transcription pour imprimer des partitions 
% ou des livres destinés à la commercialisation. La restriction est
% uniquement pour ce cas.
% Ces titres sont libres pour toute utilisation personnelle exclusivement.
% Ce travail ne me rapporte rien financièrement.
%
%    (copyright for the abc transcription only)
%
% This file may be freely copied.
% You can use this work for every purposes, except making money with it 
% 
%
% Dernière mise à jour : 05/10/02
% http://anamnese.online.fr/abc/
%
%
%%%%





%%postscript 	/sori {	% usage: str x y sori
%%postscript 	gsave translate 0.022 dup scale
%%postscript 	0 100 translate
%%postscript 	newpath
%%postscript 	120 327 moveto
%%postscript 	 105 329 lineto
%%postscript 	 104 -92 lineto
%%postscript 	 114 -86.5 113 -91 120 -87 curveto
%%postscript 	 120 327 lineto
%%postscript 	closepath
%%postscript 	16 316 moveto
%%postscript 	 1 318 lineto
%%postscript 	 0 -103 lineto
%%postscript 	 11 -97 9 -102 16 -98 curveto
%%postscript 	 16 316 lineto
%%postscript 	closepath
%%postscript 	fill
%%postscript 	-51 219 moveto
%%postscript 	 232 127 lineto
%%postscript 	 -47 -5 lineto
%%postscript 	 -47 33 lineto
%%postscript 	 160 123 lineto
%%postscript 	 -50 183 lineto
%%postscript 	 -51 219 lineto
%%postscript 	closepath
%%postscript 	fill
%%postscript	grestore
%%postscript } bdef
%%postscript  






%%postscript 	/koron  {	% usage: str x y koron
%%postscript 	gsave translate 0.022 dup scale
%%postscript 	0 100 translate
%%postscript 	newpath
%%postscript 	26 361 moveto
%%postscript 	 26 228 lineto
%%postscript 	 174 298 lineto
%%postscript 	 26 361 lineto
%%postscript 	closepath
%%postscript 	26 -138 moveto
%%postscript 	 16 -146 18 -138 0 -145 curveto
%%postscript 	 0 397 lineto
%%postscript 	 25 397 lineto
%%postscript 	 228 300 lineto
%%postscript 	 26 190 lineto
%%postscript 	 26 -138 lineto
%%postscript 	closepath
%%postscript 	fill
%%postscript	grestore
%%postscript } bdef
%%postscript  


%%postscript 	/quartdiese  {	% usage: str x y quartdiese  
%%postscript 	gsave translate 0.022 dup scale
%%postscript 	-100 100 translate
%%postscript 	newpath
%%postscript 	16 48 moveto
%%postscript 	 292 72 lineto
%%postscript 	 292 32 lineto
%%postscript 	 16 8 lineto
%%postscript 	 16 48 lineto
%%postscript 	closepath
%%postscript 	fill
%%postscript 	164 -152 moveto
%%postscript 	 164 -152 lineto
%%postscript 	 164 397 lineto
%%postscript 	 138 397 lineto
%%postscript 	 138 -151 lineto
%%postscript 	 138 -151 lineto
%%postscript 	 150 -154 151.333 -163.333 164 -152 curveto
%%postscript 	 164 -152 lineto
%%postscript 	closepath
%%postscript 	fill
%%postscript 	12 210 moveto
%%postscript 	 288 234 lineto
%%postscript 	 288 194 lineto
%%postscript 	 12 170 lineto
%%postscript 	 12 210 lineto
%%postscript 	closepath
%%postscript 	fill
%%postscript	grestore
%%postscript } bdef
%%postscript  

%%postscript 	/quartbemol  {	% usage: str x y quartbemol
%%postscript 	gsave translate 0.022 dup scale
%%postscript 	-100 100 translate
%%postscript 	newpath
%%postscript 	10 296 moveto
%%postscript 	 294 362 lineto
%%postscript 	 294 332 lineto
%%postscript 	 14 268 lineto
%%postscript 	 10 296 lineto
%%postscript 	closepath
%%postscript 	fill
%%postscript 	138 81 moveto
%%postscript 	 138 397 lineto
%%postscript 	 164 397 lineto
%%postscript 	 164 75 lineto
%%postscript 	 180 91 lineto
%%postscript 	 184 95 187.333 97.3333 190 98 curveto
%%postscript 	 198 103 lineto
%%postscript 	 214 109 lineto
%%postscript 	 230 111 lineto
%%postscript 	 250 111 266 105 278 93 curveto
%%postscript 	 290 81 298 67 302 51 curveto
%%postscript 	 302 46 lineto
%%postscript 	 302 31.3333 298 18 290 6 curveto
%%postscript 	 280 -7 lineto
%%postscript 	 272.667 -15.6667 264.333 -24.6667 255 -34 curveto
%%postscript 	 236 -52 lineto
%%postscript 	 217 -70 lineto
%%postscript 	 170 -112 lineto
%%postscript 	 157.333 -123.333 146.667 -136.333 138 -151 curveto
%%postscript 	 138 81 lineto
%%postscript 	closepath
%%postscript 	218 -14 moveto
%%postscript 	 230 14 lineto
%%postscript 	 232.667 21.3333 234 29.6667 234 39 curveto
%%postscript 	 234 51 231.667 59.8333 227 65.5 curveto
%%postscript 	 222.333 71.1667 215.667 74.6667 207 76 curveto
%%postscript 	 201 76 194 74 186 70 curveto
%%postscript 	 179.333 65.3333 172 58.6667 164 50 curveto
%%postscript 	 164 -88 lineto
%%postscript 	 187.333 -63.3333 205.333 -38.6667 218 -14 curveto
%%postscript 	closepath
%%postscript 	fill
%%postscript	grestore
%%postscript } bdef
%%postscript  


%%deco koron 3 koron 8 0 0
%%deco b 3 quartbemol 8 0 0  
%%deco _ 3 quartbemol 8 0 0  %here are only aliases or alternatives

%%deco sori 3 sori 8 0 0
%%deco # 3 quartdiese 8 0 0   %


%%%eco b 3 koron 8 0 0  %here are only aliases or alternatives
%%%eco _ 3 koron 8 0 0  %here are only aliases or alternatives

%%%eco # 3 sori 8 0 0   %here are only aliases or alternatives


%%textfont Garamond-Bold 17 
%%center P E R S I A  
%%textfont Garamond 14
%%vskip 0.1cm  
%%center (some scales for Iranian music - in construction)
%%vskip 0.1cm 
%%textfont Garamond-Italic 9 
%%titlespace 0.5cm 
%%% wordsfont %% 
%%Page 

%%center
%%vskip 1.1cm
%%sep

X:1
T:Dastgâh-e Shur (ancien)
M:none
L:1/4
Q:1/4=90
K:C
%%MIDI program 111
G !koron!A !=! _B  c !koron!d !=! _e  f g  |

X:1
T:Dastgâh-e Shur (moderne)
M:none
L:1/4
Q:1/4=90
K:C
%%MIDI program 111
G !koron!A !=! _B c d _e !=! f g  |

X:1
T:dastgaahe_Shur2
M:none
L:1/4
Q:1/4=250
K:C
%%MIDI program 111
G !koron!A !=! _B  c d !koron!e !=!  f g  |



X:2
T:Dastgâh-e Navâ
M:none
L:1/4
Q:1/4=90
K:C
%%MIDI program 111
G A  _B c d !koron! e !=! f g   |

X:3
T:Dastgâh-e Segâh
M:none
L:1/4
Q:1/4=90
K:C
%%MIDI program 111
!koron!A !=! _B c !koron!d !=! _e  f g !koron!a !=!  |


X:4
T:Dastgâh-e Tchahârgâh
M:none
L:1/4
Q:1/4=90
K:C
%%MIDI program 111
G !koron! A !=! B c d !koron! e !=! ^f g   |

X:5
T:Dastgâh-e Homâyun
M:none
L:1/4
Q:1/4=90
K:C
%%MIDI program 111
G !koron! A !=! B c d _e f g   |


X:5
T:Dastgâh-e Esfahân (ancien)
M:none
L:1/4
Q:1/4=90
K:C
%%MIDI program 111
G A  _B c d !koron! e !=! !sori!f !=! g   |

X:6
T:Dastgâh-e Mâhur
M:none
L:1/4
Q:1/4=90
K:C
%%MIDI program 111
G A B c d  e ^f g   |

X:7
T:Dastgâh-e Râstpandjgâh
M:none
L:1/4
Q:1/4=90
K:C
%%MIDI program 111
F G A !koron! B !=! B c d e f |


X:4
T:Exemple (Nâva)
M:none
L:1/8
Q:1/4=120
K:F
%%MIDI program 111
!koron!E/!=!/F/!koron!E/!=!F/!koron!E/!=!F/ G2 F<G F<G cc G z ||


X:6
T:test sori
M:none
L:1/4
Q:1/4=90
K:C
%%MIDI program 111
!sori!A !=! _B c !koron!d  _e !=! f g !koron! a !=!  |




%%------------------


X:2
T:Bou-ye djou-ye mouliyan **
T:
C:
S:
A:Iran
D:Marzieh / Banan
Z:<anamnese@laposte.net> -- http://anamnese.fr.st
M:3/4
L:1/8
Q:3/8=97
K:Bb
K:Gm
%%staves {1 2}
%%EPS 
%%vskip 1cm
V:1
%%MIDI program 0
%%MIDI transpose 0
%%MIDI control 7 120 %volume
%%MIDI control 10 100 %pan
G4 AB | d4 cB | dc BA Bc | d2 g4 |
d4 ed | c4 Bc |d4    cB | A6 |
G4 AB | d4 cB | B4 AG   | ^F4 A2 G2  | 
z4 B2 | A2 c2>B2 | G4 A2 | G2 B2>G2 | ^F4 D2 | ^F2G4 |
G4 AB | d4 cB | AG 
z2 A2 | B2 c4 | B4 A2 | G2 c4 | B4 A2 | G2B4 | 
[A4d4] ed | c4 de | cB
z2 B2 | A2 c2>B2 | G4 A2 | G2 B2>G2 | ^F4 D2 | ^F2G4 |
%
%
%A2GA2GF3/E3/D3 G2FG2FE3/D3/C3 |
%D3/4E3/4F3/4G3/4A3/4G3/4F3/4G3/4A3/A3/A3/
V:2
%%MIDI program 1
%%MIDI transpose -12
%%MIDI control 7 105 %volume
%%MIDI control 10 70 %pan
K:Gm bass
G,2[D2G2][D2G2] | D,2[D2G2][D2G2] | G,2[D2G2][D2G2] | D,2 G,2 z2 |
D,2D2D2 | A,,2D2D2 | D,2D2D2 | A,,2 D2 z2 |
G,2[D2G2][D2G2] | D,2[D2G2][D2G2] | G,2[D2G2][D2G2] | ^F,4 D,2 G,2 | 
z4 z2 | D,2 z4| G,2 z4 | G,2 z4 | D,2 z4 | D,2 G,2 z2 |
G,2[D2G2][D2G2] | D,2[D2G2][D2G2] |
G,2 z4 | D,2 z4 | B,2 z4 | D,2 z4 | G,2 z4 | D,2D,4 |
G,2[D2G2][D2G2] | D,2[D2G2][D2G2] |
G,2 z4 | D,2 z4| G,2 z4 | G,2 z4 | D,2 z4 | D,2 G,2 z2 |



X:1
T:Mikhâm beram kouh
T:I want to go to the mountain
N:Shekâr-e âhou (deer hunt)
C:Iranian folksong
A:Iran
S:Kaambiz Roshan Ravaan
Z:<anamnese@laposte.net> -- http://anamnese.fr.st
L:1/8
M:6/8
Q:1/4=100
K:Em
K:G
V:1
%%MIDI program 0
%%staves {1 2}
%%EPS biche.eps
%%vskip 1cm
EE2 BBA | B6 | cc2 BAG | A6 |
|: AA2 AGF | G2 G F E2 | F>AG FE^D |1 E3A3 :|2
E6 | BB2 eed | e6 | dd2 edc |B6 |: 
AA2 AGF | G2 G F E2 | F>AG FE^D |1 E3A3 :|2 E6 |]
V:2
%%MIDI program 0
E,G,B, E,G,B, | E,G,B, ^D,F,B, | ^D,F,C =D,F,B, | ^C,E,A, =C,E,A, |
|: A,,E,A, A,,E,A, | E,G,B, E,G,B, | ^D,F,B, D,F,B, |1 E,G,B, CB,A, :|2
E,G,B, E,3 | E,G,B, E,G,B, | E,G,B, ^D,F,B, | =D,F,A, C,E,A, | B,,E,G, B,,E,G, |: 
A,,E,A, A,,E,A, | E,G,B, E,G,B, | ^D,F,B, _E,F,B, |1 E,G,B, CB,A, :|2 E,G,B, E,3 |]



X:1
T:Tchish dar âmad moqad mati mahour 
N:Setâr 57
M:2/4
L:1/8
Q:1/4=120
K:C
%%MIDI program 111
G,>C B,A, | C4 | CB, A,B, | G,2 z2 | G,A, B,C | D4 | C>B, A,B, | C2 z2 |
G>c BA | c4 | cB AB | G2 z2 | GA Bc | d4 |c>B AB | c2 z2  | C>E EE | E4 |
DE FE | D2 z2 | G,>D DD | D4 | CD ED  |C2 z2 | F>E DC | E>D CB, | CD EC | 
D4 | E>D CB, | D>C B,A, | G,A, B,D | C2 z2 | CD EF | G4 | !b!A!=!G FG | !b!A!=!G FG |
!b!A!=!G A_B | G4 |  GF G!b!A!=! | F2 z2 | C4 | C_B !b!A,!=!G, | !b!A,!=!_B, | C2 z | c4 | c_B !b!A!=!G | 
!b!A!=!c _BA | G2 z2 |



X:1
T:Âhngi dar rakoutchk
T:setâr 55
L:1/8
Q:1/4=120
M:6/8
K:F
A/B/AG A/B/AG | A/B/Ac A3 | G/A/GF G/A/GB |1 AGF A3 :|2 AGF D3 |
D/E/D/C D/E/FG | AGF A3 B/A/GF A/G/FE |1 DEF GFE :|2 DEF D3 |]

X:1
T:
T:ney 50
L:1/4
Q:1/4=120
M:4/4
K:F
A>A GF | A2 z2 | repet | A>G AB | G2 z2 | G>G F=E |
G2 z2 | repet | G>F GA | F2 z2 :| F>E DE | C2 z2 | repet
|:C{d}E/F/ G{F} EF | G2 z2 | A>E F G{F} F2 z2 :|]

 

X:1
T:zard mâidjeh
T:setâr 62
L:1/8
Q:1/4=120
M:2/4
K:F
B,2 CD | D2-DF | repet | DC/C/CD | repet|repet| B,C B,D | DC/C/ CD |repet |
CB,B, B,C | B,!b!A/A/ A!=!B, | !b!A,!=!G,G, G,!b!A,!=! | G,2 z2 :|




X:1
T:Daramad of Shur
L:1/8
Q:1/4=135
M:no
K:C
%%MIDI program 111
d !koron!e !=! g f !koron!e !=! d c _B  A G A d2 {c}_B2 {A}G2 |
G A c _B A G F !koron! E !=! D !koron! E !=! F G A c {_B} A2 {G} F4 |
FFF A2 G2 {F}!koron! EEE !=!G2 F2 {!koron! E !=!} DDDF2 !koron! E2 !=! |



X:1
T:tableau ney
L:1/4
Q:1/4=120
M:none
K:C
B, C ^C !koron!D!=! D _E !koron!E!=! E F !sori!F!=! ^F ^F G _A A |

%%Azerbaîdjan


X:1
T:Mode humâyun
M:none
N: e indiqué (_e)
L:1/4
Q:1/4=250
K:C
%%MIDI program 111
DE^FGHA2 _B2 ^cdef

X:1
T:Mode shushtar
M:none
N: B indiqué (=B)
L:1/4
Q:1/4=250
K:C
%%MIDI program 111
GHA2_B^cd2efg

X:1
T:Mode bidâd
M:none
N: f indiqué (^f)
L:1/4
Q:1/4=250
K:C
%%MIDI program 111
de2fgHa2 _bc'd'

X:1
T:Mode shushtar
M:none
N: B indiqué (=B)
L:1/4
Q:1/4=250
K:C
%%MIDI program 111
GHA2_B^cd2efg

X:3
T:Mode bidâd
N: f indiqué (^f)
M:none
L:1/4
Q:1/4=250
K:C
%%MIDI program 111
de2fgHa2 _bc'd'


X:1
T:Mode zâbol
M:none
N: _e indiqué bemol barré et ^f indiqué bécarre
L:1/4
Q:1/4=250
K:C
%%MIDI program 111
HB2cd2_e ^fgab 


X:1
T:Mode Mugam Kharej Segâh
M:none
N: A indiqué dièse et second =f indiqué dièse. e indiqué bémol
L:1/4
Q:1/4=250
K:C
%%MIDI program 111
^F G A HB2 c d2 e =f g a b 



X:1
T:Mode Muye
M:none
N: _e indiqué bécarre
L:1/4
Q:1/4=250
K:C
%%MIDI program 111
Hd2 _e ^f g2 a _b c'



X:5
T:test Mode zâbol
M:none
L:1/4
Q:1/4=250
K:C
%%MIDI program 111
%HB2cd2_e ^fgab
GAB^F2 BcBd GF2 d2d2 
^f/g/ a2 b/^f/_e2 _e/c/ B2 A2A2 cc B2
A2 ^F2^F2 AA _E2