%abc %%%% % % Favoris % % (Je n'ai pas retranscrit ces airs, il s'agit juste d'une collection) % % % Les airs sont au format ABC (http://www.gre.ac.uk/~c.walshaw/abc/). % Quelques logiciels recommandés pour interpréter ce format de fichier : % AbcMus1.1b http://home1.swipnet.se/~w-11382/abcmus/ (pour l'écoute) % Abc2win http://www.c7r.com/abc/ (pour la visualisation des notes) % Abcm2ps http://moinejf.free.fr/ (pour le format postscript) % % % % Dernière mise à jour : 08/01/02 % http://anamnese.online.fr/abc/ % % %%%% X:1 T:-- Favoris -- X:10 T:Ale is dear, The R:Reel S:Toby A. Rider, Fiddle-L, 8/97 S:Sessions O:Scotland M:4/4 K:Bm f2ef B2fe | faef cA Ac | \ f2 ef B2 fe | fa ec B2 Bc :|* |:BB Bc d2 cB | AA AB cA Bc | \ BB Bc d2 cB | f2 ec B2 B2 :|** X:1 T:Johnny Cope R:March S:Sandy MacIntyre A:Scotland Z:Wil Macaulay 1999 M:C L:1/16 Q:2/4=70 K:Gmin |: G4 (GABc) d2G2 (AG)(FD) | F4 (FGAB) c2F2 AGFD |G4 (GABc) d2G2 BAGF| D2f2 dcBA G4 G,4:| |: B4 B2B,2 Bcde f4| BAGF F2c2 ABcd BAGF| G2B2A2c2 B2d2 BAGF D2f2 dcBA G4G,4 :| |: G2G,2 GABc dcBA BGFD | F2C2 FGAf cAfc BAGF | G2FE DCB,A, G,A,B,C EDCB,| CDEG FDFA, G,4G,4 :| |: g4 g2fg a2g2 agfd | f4 Tf2>g2 {fg}a2gf f2a2 | g4 Tg2fg a2f2g2d2 | f2c2 dcBA G4 G,4 :| |: G^FGA GABc dedc BABG | A=FcF dFcF Acfc BAGF | BcBA G^FGD GABc dcdB | cdfg fdcA G4G,4:| |: gdgb gdgb GBdg bgdB | fcfa fcfa FAcf afcA | dBdf cAcf BGBd AFAc | (3dcB (3cBA (3BAG (3AG^F G4 G,4:| X:9 T:Drowsy Maggie R:Reel D:asin=B0000001ZQ(Dave Swarbrick, Fairport...: 50th Birthday Concert) D:asin=B000000DV6(Frankie Gavin, Alec Finn: Frankie Gavin & Alec Finn) D:asin=B000000DVA(Liz Carroll: A Friend Indeed) D:anop=B000000E7Q(Matt Malloy: Heathery Breeze) D:anop=B000000G9I(Coleman, et al: The Wheels Of The World: Early...Vol. 2) D:asin=B000000MTQ(The Carawan Family: Home Brew: At Home In Tennessee) D:asin=B000001I3Y(Tony Elman: Shakin' Down The Acorns Vol. 1) D:asin=B0000029A6(David Bromberg Band: Midnight On The Water) D:asin=B000003JLK(Maggie Sansone: Music In The Great Hall: Instrumental Music From The Ancient Celtic Lands) D:asin=B000003JM6(Bonnie Rideout: Celtic Circles) D:asin=B000005CPP(Jerry Holland: The Fiddlesticks Collection) D:asin=B000005CQH(Altan: The Best Of Altan) D:asin=B000006O78(David Bromberg: The Player: A Retrospective) D:asin=B00000G33I(Timmy Abell: The Farmer's Market) Z:Matt Molloy (see below) has a great version of this tune where he gradually increases the speed. M:C| K:D ~E2BE dEBE|~E2BE AFDF|~E2BE dEBE|1 ~B3c dAFD:|2 ~B3c dAFA|:\ d2fd cdec|defg affe|d2fd cdec|~B3c dAFA|\ d2cd cdec|defg affe|af ge fd ec|BABc dAFD:| X:134 T:Sleepy Maggie R:Reel O:Scotland M:4/4 K:Bm g|\ f2Bb fBde|f2Ba eAce|f2Bb fBde|f^gaf eAce:: fBdB fBde|fBdB eAce|fBdB fBde|f^gaf eAce:: fBdB fBde|fBdB eAce|fBbB aB^gB|f^gaf eAce:| X:464 T:Drowsy Maggie R:reel H:See also #18 D:Altan: Harvest Storm Z:id:hn-reel-464 M:C| K:Edor E2Bd cABE|E2BG FADF|E2Bd cABc|1 dfec dAFD:|2 dfec dAFA|| d2fe dcBd|(3cBA eA ceAc|defe dcBc|def^g aecA| d2fe dcBd|(3cBA eA ceAa|faec dcBa|^gbe^g aecA|| X:26 T:I'll Buy Boots for Maggie R:Polka S:Boys of the Lough: Regrouped M:2/4 L:1/8 K:EDor E>F GA |Bd de|Bd/B/ AF|EF D2 |E>F GA |Bd de|Bd/B/ AF|1FE ED :|2FE E2 | |:Be e>f |gf eA|Be e>f|gf e2 |Be e>f |gf e(B|B)d/B/ AF|FE E2 | X:15 T:To Daunton Me N:based on a Lowland song from the early 18th century (see the N:tunes from Mitchell's "The Highland Fair" of 1731 on my website) G:strathspey M:C L:1/8 K:EDor G>A|B2 E2 E2 A>G|F>GE>F D2d>e|f>ed>B dF|B2 E2 E2:| F>E|D2 d2 d2 B>c|d>ed>B A2d>c|B2 e2 e2 e>f|g>fe>d B2 d>e|f2 (3agf e2 (3gfe|d>ed>B A2d>e|f>ed>B dF|B2 E2 E2|] X:3 T:Jolly Clamdiggers, The R:reel E:7.5 M:C| Q:1/4=350 K:D d2 FB AFEF|D2dc BABc|dF~F2 dFAF|GBAG FDFA|\ d2 FB AFEF|D2dc BABc|dF~F2 dFAF|GBAF D2 z2|| d2 fd egfd|A2 (3cBA eAcA|defg ~a3 f|afeg fddc|\ d2 fd egfd|A2 (3cBA eAcA|defg ~a3 f|afeg fd ~d2|| X:33 T:Sinclair's Reel. BF11.33 R:Reel C:Browne A hand S:MS11,c1800?.,Browne Coll.,Lakesp A:Lakes O:England Z:vmp.Cherri Graebe. M:2/2 L:1/8 Q:1/4=180 K:G Major B|A/2A/2A cB dccA|Bggd BGGB|! A/2A/2A cA dBcA|Baae cAA:|! |:g|(a/2g/2f/2e/2) ca eaca|Bggd BGGg|! (a/2g/2f/2e/2) ca eaca|Baae cAA:|] X:7 T:Bourr\'ee Norbert Dentressangle R:Bourr\'ee C:Andy Hornby \& John Mabson A:Lancaster O:England M:2/4 L:1/8 K:Bm %%Copyright:Andy Hornby \& John Mabson 7.4.97 B2FB| d2Bd| f2df| ba2g|\ f>e fg|fd cd|1 e>d ef| ed cd :|2 ef/e/ dc| B4|| |: f>e fg| ba2g| f>e fd| e>f ec|\ d>c dB| fe2d |1 c>d ea| f4 :|2 c>d ef| B4|] W:Copyright (C) Andy Hornby \& John Mabson 7.4.97 X:1 T:Bourrée des Moutons O:Rodney Miller Band Z: John Chambers http://eddie.mit.edu/~jc/music/ M:C L:1/4 K:D |: "D"a>g fd | "Em"ef/g/ "A7"fg | "D"a>g fd | "Em"ef/g/ "A"e2 :| |: "Bm"f>g fe | fd B2 | "G"ed/c/ dB | "Em"ed/c/ "A"de | | "Bm"f>g fe | fd B2 | "G"ed/c/ dg | "A7"ec "D"d2 :| X:4 T:Tower Waits Hornpipe N: B:Walsh M:3/2 L:1/8 K:Gm g4 bag^f g4|edcB AGFE DCB,A,|B,4 GFED E2 G2|cded cABc ^F2 D2| g4 bag^f g4|! edcB AGFE DCB,A,|B,2 G2 A,2 G2 G,2 ^F2| GEDC B,GA,^F G,4::! f4 dBcA BFGE| E2 C2 E2 G2 c4| g4 ecdB cABG| ^F2 D2 ^F2 A2 d4|! d2 b2 BAGF E2 C2| c2 a2 AGFE D2 B,2| G,2 g2 ^fdec dAB^F| GEDC B,GA,^F G,4:| X:2 T:Hearts Ease R:Jig H:There are two distinct tunes named "Heartsease" and considerable H:differences of opinion as to whether any of the known lyrics fit either H:of them. The earliest lyric is "a songe to the tune of hartes ease" H:from Thomas Richardes' play on an Italian model, called "Misogonus" (c. H:1560). Although it scans well, the text is arranged in short verses H:which would only use half the dance tune, implying that an earlier tune H:by this name may have had only one strain. H: H:Richard Dering's H:catch "Cries of London" is set to the A strain. H: H:Hearts-ease in H:16th century herbal culture was the little wild pansy, known today as H:Johnny-jump-up. It was also called "Love in Idleness". M:6/8 L:1/8 Q:100 W:Misogonus: W:Singe care away with sport & playe W:Pasttime is all our W:pleasure W:Yf well we fare, for nought we care W:In mearth our W:constant treasure ... W: W:Dering: W:A cooper I am, and have been W:long, and hooping is my trade W:And married man am I to as pretty a W:wench as ever God hath made K:GDor G|G>AB A2G|^F2G A2D|G2A B2c|1 d3-d2 :|2 d3-d2 d|| ABc cdc|f2c c2A|B2A Bc2|d3-d2 d|c2B A>Bc|B2A dAB|A2G ^F>EF|G2|| X:2 T:Deirdre's Fancy M:9/8 K:Em E2 F G2 A BGE|D2 E F2 G AFD|E2 F G2 A BGE|BcB AGF E3 :| |: eBe e2 f gfe|dAd d2 e fed|eBe e2 f gfe|dcB AGF E3 :| X:5 T:The Irish Lady T:Anniseed-water Robin R:Jig M:6/8 L:1/8 Q:1/4=100 K:DDor def efg|c2c c2d|e> fe/2d/2 cde/2d/2|1 cAA A3:|2 cAA A2G|| FFF F>ED|fff f>ed|e2f g> fe/2f/2|d2A d3|| X:10 T:Jug of Punch, The S:Boys of the Lough, Farewell and Remember Me N:liner notes: "version of a Galway fiddle reel normally played in D minor". Transcribed by Alan Ng D:Shanachie 79067 Z: id:ng-reels-10 transcribed by Alan Ng agng@students.wisc.edu January 28, 1996 E:11 M:C| K:EDor \bigskip EFGA BAAA|BAAA BAFD|B,3 C DEFG|A2 BA FDB,A,|B,EEF GEEF|\ GEFE DEFA|defe dBAF|GBFB E4::Beef gage|fgfe dBBA|BFBc dcde|\ fgfe dBBA|Beef g2 ge|f2 fe dBBc|d2 dB c2 BA|GBFB E4:|** X:7 T:Return From Fingal, The R:march Z:According to a (none-too-reliable) tradition, this tune was played Z:by Brian Boru's troops on the return from the Battle of Clontarf. E:10 M:2/4 K:EDor B2GF EFGA|B2GF E4|AGFA d2A2|B2A2 Bcd2|\ B2GF EFGA|B2GF E4|AGFA d2AG|F2E2 E4:| f2e2 e2dc|B2A2 d2A2|B2A2 d2A2|B2A2 Bcde|\ f2e2 e2dc|B2A2 d2A2|AGFA d2AG|F2E2 E4:| X:8 T:Brian Boru's March B:O'Neill's 1801 Z:"Transcribed by Bob Safranek, rjs@gsp.org" M:6/8 L:1/8 K:C (e/d/) | c>BA A2 (e/d/) | c>BA A2 (d/c/) | B>AG G2 (d/c/) | B>AG G2 (e/d/) | c>BA A2 (e/d/) | c>BA A2 a | e>fe e2 d | (cA ((3GAB) AGED |EFGA BcAc |1 Bee^d e2 z2:|2 Bee^d e2 (ef)|| gefd edB^c| d2 ed (Bd)c B2 A|AGE E2 G| (DEG) A2 A|(BAG) (GAB)|c>de B2 A|AGE E2|| (c/d/)|(e>f)e d2c|(BGE) (GAB)|(Be).e d2 c|(BGB) c2 d| e>fe {e}d2c|({c}BGE) (GAB)|c>dc B2 A|AGE E2|| X:10 T:Pulse of my Heart. T:cuisle mo .croi.de. N:"Slow." "no. 1." B:O'Neill's 554 Z:Transcription by J.B. Walsh (walsh@math.ubc.ca) M:3/4 L:1/8 K:F %Q:100 A2|d3 (fed)|c2 A2 (de)|f2 f2 f2|e2 e2 e2| d3 (fed)|c2 A2 d2|c2 A2 A2|A4|| A2|d3 (fed)|c2 A2 (de)|f2 f2 f2|e2e2e2| (dc) (BA) (GF)|G3 BAG|F2 D2 D2|D4|| (DE)|F2 (FG) (FG)|c2 A2 A2|B2 G2 G2|c2 A2 A2| F2 (FA) (ce)|f3 ed2|c2 AG FG|F2 D2|| (DE)|F2 (FG) (FG)|c2 A2 A2|B2 G2 G2|A2 f2 f2| (dc) (BA) (GF)|GF GB AG|F2 D2 D2|D4|| X:11 T:Brian Boru's March R:march Z:id:hn-march-4 M:6/8 K:Ador ed|:cBA Aed|cBA Adc|BAG Gdc|BAG Ged| cBA Aed|cBA A2G|Acd e2d|1 cAA Aed:|2 cAA A2G|| |:Acd e2d|e2d edc|GBc d2g|d2g dBG| Acd e2d|e2d edc|Acd e2d|1 cAA A2G:|2 cAA A2B|| |:cBA aAA|cBA aAA|BAG gGG|BAG gGG| cBA aAA|cBA aAA|Acd e2d|1 cAA A2B:|2 cAA A2|| X:12 T:Oak Tree M:C L:1/8 K:D Major AG|FDAD FDAD|FDAF GEFD|A,3G, A,3G,|A,G,A,B, CDEG|! FDAD FDAD|FDAF GFED|Bdef gece|dfec d2:|! K:B Dorian ce|fBB2 fage|fece faed|cAeA fAed|cAea fece|! fBB2 fage|fece faec|ABce agae|faed cA:|! K:D Major Bc|d2fd d2fd|c2ec c2ec|d2fd d2fg|afge dcBc|! d2fd Adfd|c2ec Acec|d2fd Adfg|afge dB|]! X:13 T:Bean an T\'i ar L\'ar T:Woman of the House on the Floor, The T:Old Oak Tree, The R:reel D:De Dannan: Selected Jigs and Reels. D:Tommy Peoples. Z:id:hn-reel-76 M:C| K:D B|:AGFE D2FD|GEFE Ddcd|AGFE DEFD|1 EG=cA BGEB:|2 EG=cA BGEd|| cdec ~A3d|cdec AGEA|cdec ABAG|EG=cA BGEd| cdec ~A3d|cdec AGEd|cdeg fdec|ABcA BdcB|| %(flûte) X:14 T:Mist covered mountains (Chi mi na mor-bheanna) R:Waltz O:Scotland M:3/4 L:1/4 K:Am A3|A3|e>de|edB| G3|G2A|B>AB|A>GE |c3|d3|\ e>^fg|B>AG|A>Be|dcB|A3|A3|| e3|e3| deg|edB| G2G|d2B|e2e|d>cB|A3| c3|\ d>eg|B>AG|A>Be|dcB|A3A3|] X:15 T:Swallowtail, The T:Dancing Master, The R:jig M:6/8 K:EDor EF|GEE BEE|GEE BAG|FDD ADD|ded =cAF|\ GEE BEE|GEE B2c|ded =cAF|GEE E2:| |Bcd e2f|e2f edc|Bcd e2f|edc d3|\ Bcd efe|efe edc|ded =cAF|GEE E2:| X:16 T:Three Ravens, The S:Digital Tradition, threravn B:From Ravenscroft's 1616 "Melismate" D:Recorded on Richard Dyer-Bennet 4 and Nye's Early English Ballads Z:dt:threravn M:2/2 L:1/8 Q:1/2=100 K:G E2|\ "Em"E2F2 G2B2|"Am"A2G2 F4|"Em"E3F G2A2|"B"B3c B2B2| "Em"E2F2 G2E2|"D"F2G2 A2GA|"G"B4-"B"B2B2|"G"B2d2 c2B2| "D"A2G2 F2F2|"Em"G2B2 A2G2|"B"F2^D2 B,2GA|"G"B4 "B"AGFE|\ ^DEF2 "Em"E4 |z2|| W:There were three ravens sat on a tree, W:Down a down, hey down, hey down W:They were a black as black might be, W:With a down. W:The one of them said to his mate. W:"Where shall we our breakfast take?" W:With a down, derry, derry, derry down, down. W: W:Down in yonder green field, W:Down a down, hey down, hey down W:Their lies a knight slain under his shield, W:With a down. W:His hounds they lie down at his feet W:So well they do their master keep. W:With a down, derry, derry, derry down, down. W: W:His hawks they fly so eagerly W:Down a down, hey down, hey down W:No other fowl dare him come nigh, W:With a down. W:Down there comes a fallow doe W:As heavy with young as she might go. W:With a down, derry, derry, derry down, down. W: W:She lifted up his bloody head, W:Down a down, hey down, hey down W:And kissed his wounds that were so red, W:With a down. W:She got him up upon her back W:And carried him to earthen lake. W:With a down, derry, derry, derry down, down. W: W:She buried him before the prime, W:Down a down, hey down, hey down W:She was dead herself ere even-song time, W:With a down. W:God send every gentleman W:Such hawks, such hounds, and such leman, W:With a down, derry, derry, derry down, down. X:17 T:Zannabal R:Hanter dro C:trad A:Bretagne O:France M:3/4 L:1/8 Q:1/4=160 K:C "Am"ABcdeA|ef "G"g2gg| "Dm"fedc "F"d2|fe "E7"dcB2| "Am"ABcdec|ef "G"g2gg |"Dm"fedcd2|"F"f2"E7"e4:| |:"Am"e2fe"F"d2|c2"G"B3c|"E7"dd ed "F"c2|Ac "G"B2G2|"Am"e2fe"F"d2|c2"G"B3c| "E7"dd ed "F"c2|"G"B2"Am"A4:| X:96 T:Suite de Loudéac C:trad A:Bretagne O:France M:4/4 L:1/8 Q:1/4=190 W:Mon père a fait bâtir maison W:Je regrette nom de nom W:Je regrette nom de nom W:Les années qui s'en vont W:Je regrette nom de d'là W:Le bon temps qui s'en va K:C |:AG Ac BA G2|AB cA AG A2:| |:AB c2 BA G2|1c2 Bc dd c2:|2cc BA G2 A2| |:AB c2 BA G2|1c2 Bc dd c2:|2cc BA G2 A2|| X:143 T:Princess S:Playford A:English O:Manuscript M:6/8 L:1/8 Q:160 K:Dm g|b2 b b>ag|a2 a a2 d|g2 g g>ba|^f>ga d2 d|=f2f f>ed|e2 e e>fg|c2 c c>de |\ d>cB B2::f|d2 d d>cB|f2 f f2 c|e2 e e>dc|g2 g g2 G|_b2 b b>AG|d2 D =E>^F G|^F2 d A>Bc| B>AG G2:| X:14 T:Bobbing Joe (modifié) K:C M:6/8 A2 e e2 d|e>fg B>A G|A2 B c>dB|Ae2 A3|A2 e e2 d|e>fg B>A G|A2 B c>dB|Ae2 A3 | B d2 G3|B d2 G3|A2 B c>BA| c>de A3|B d2 G3|B d2 G3|A2 B c>BA| c>de A3:| X:57 T:Goddesses M:4/4 L:1/8 K:Gm G2 G2 B2 AG| A2 A2 c2 BA| G2 G2 B2 AG| d2 d2 d4:: f2 d2 B3 d| c2 A2 F3 A |\ B2 G2 F3 A| G2 G2 G4:| X:12 T:Black Nag M:6/8 L:1/8 K:F A| d>ed e>de| f>ef efg| a>gf e>de| d3 d2 A|d>ed e>de| f>ef efg| a>gf e>d e|\ d3 d2 A::d|ecA ecA| ecA ecA|afd afd|afd afd|ecA ecA|ecA e2 f/2g/2|\ a>gf e>de| d3 d2:| X:52 T:Galopede K:G M:4/4 dc| B2 bc A AB| G2 G2 G2 AB|cBcd edcB| A2 A2 A2 dc| B2 bc A AB| G2 G2 G2 AB|\ cBAg fgaf| g2 g2 g2::dc|B2 gf e2 ed|dcBc A2 dc| B2 gf edcB| A2 A2 A2BD|\ B2gf e2 ed|dcBc A2|dc|BdcB AcBA |G2 G2 G2:| X:65 T:Heartsease S:Playford A:English O:Manuscript M:6/8 L:1/8 Q:160 K:Gm G|G>AB A2 G|^F2 G A2 D|G2 A B2 c|d3 d3 G|G>AB A2 G|^F2 G A2 D|G2 A B2 c| d3 d2::\ d|ABc c>dc|f2 c c2 A|B2 A B2 c|d3 d2 d|c2 B A>Bc|B2 A dAB|A G ^F>=GF|G3 G2:| %travailler : X:18 T:-- Travail -- X:7 T:Solo Mazurka, The R:mazurka M:3/4 L:1/8 K:D Ad|f2 gf ed|c2 A2 (3Bcd|e2 ef ed|c2 A2 de|f2 gf ed|c2 A2 (3Bcd|e2 ef ec| 1d2 d2 :|2d2 dB Ad | |:f2 fe (3dff|a2 a2 (3Adf|e2 e2 ag|f2 dB Ad|f2 fe (3dff|a2 a2 (3dfa|b2 b a ge|1d2 dB Ad :|2 d2 d2 || X:13 T:Mazurka d'Embrault T:Fubu's Mazurka C:Thierry Mirebeau S:Blowzabella O:Fubu's Mazurka M:3/4 L:1/8 Q:180 K:Gm D2|G2 GA Bd|c3 d cA|BG DG BG|A^F DF AF|! G2 GA Bd|c3 d cA|BG DG A^F|G4:|! K:G GA|B2 BA GF|E4 AB|cA FA cA|B2 GD GA|! B2 BA GF|E4 AB|c2 cA FA|G4:|! X:13 T:Fubu's Mazurka 2 C:Thierry Mirebeau S:Blowzabella O:Fubu's Mazurka M:3/4 L:1/8 Q:1/4=180 K:G D |:GA | B2 BA GF|E4 AB|cA FA cA| B2 G D GA | B2 BA GF|E4 AB|c2 cA FA | G4:|! K:Gm D2|G2 GA Bd|c3 d cA|BG DG BG|A^F DF AF|! G2 GA Bd|c3 d cA|BG DG A^F|G4:|! X:67 T:Auvergne Polka #2 C:Trad S:Blowzabella M:2/2 L:1/8 Q:240 K:G D2 EF G2 G2|FGAF G4|ABcA B2 G2|ABcA B2 G2|! D2 EF G2 G2|FGAF G4|ABcA B2 d2|dcBA G4:|! d2 B2 GBdB|GBdB c2 A2|c2 A2 FAcA|FAcA B2 G2|! d2 B2 GBdB|GBdB c2 A2|c2 A2 FAcA|FDEF G4:|! X:1 T:Polka : Mardi-gras E:12 Z:Roger Négaret (94-95) R:polka C:Trad. S: A:Cajun M:4/4 L:1/16 F:http://termen.free.fr/danses/polkas/PolkaMardigras.abc 2001-11-06 21:57:24 UT K:C Q:1/4=180 "Am"E4 A4 A6G2 | A4 B4 c8 | "G"B4 A4 B4 B4 | "Am"A4 G4 E8 | E4 A4 A6G2 | A4 B4 c8 | "G"d8 e4 d4 | B4 G4 "Am"A8 |: e8 e6d2 | e4 g4 e8 | "G"d4 d4 e4 d4 |1 B4 G4 "Am"E8 :|2 "G"B4 G4 "Am"A8 |] %%rm Mardi-gras c'est tout partout, %%rm Mais principalement Grand-Mamou %%rm Mardi-gras c'est tout partout, %%rm Mais tout alentour du moyeu. %%rm Le Mardi-gras vous r'mercie bien, %%rm Pour vot' bonne volonté %%rm Le Mardi-gras vous r'mercie bien, %%rm Allons courir chez not' voisin. X:23 T:Polka O:France M:2/4 L:1/8 Q:1/8=210 K:C ee AA/2B/2|cB/2A/2 e2|e/2f/2e/2d/2 ee|e/2f/2e/2d/2 e2| ee AA/2B/2|cB/2A/2 e2|e/2f/2e/2d/2 cc/2B/2|Ac/2B/2 A2:| |:ee a2|g/2a/2g/2d/2 e2|e/2f/2e/2d/2 ee|e/2f/2e/2d/2 e2| ee a2|g/2a/2g/2d/2 e2|e/2f/2e/2d/2 c/2d/2c/2B/2|Ac/2B/2 A2:|| X:19 T:Winter Apples T:u.balli.de gei.mrea.d. R:reel N:"collected from F. O'Neill" B:"O'Neill's Dance Music of Ireland, 1513" Z:transcribed by John B. Walsh, walsh@math.ubc.ca 8/23/96 M:C| L:1/8 K:G ((3def) "Segno"|g2 fd edBA GABG AGEF|GFGA BABd|((3efg) (af) gfed| g2 (fd) edBA|GABG AGEF|GFGA BABd|((3efg) af g2 Hx|| (ef)|((3gab) (eg) b2 (ag)|((3fga) (df) a2 (gf)|((3gab) (eg) b2 (ag)|((3fga) (df) e2 (ef)| g b2 b b2 ag|f a2 a a2 gf|((3gag) bg ((3fgf) af|edef gbaf "Segno"|| X:20 T:Leg of the Duck, The R:jig Z:id:hn-jig-157 M:6/8 K:G DGG GAG|FEF Ddc|~B3 GBd|cAG FEF|DGG GAG|FEF DBc|ded cAF|AGF G3:| |:dgg def|dgg cBc|dgg def|GFG ABc|def ~g3|agf g2e|fed cAF|AGF G3:| X:21 T:Leg of the Duck M:6/8 L:1/8 K:D Major e|fga efg|fef dBA|Bee e2d|Bee e3|! fga efg|fef dBA|Bdd d2A|Bdd d2:|! e|fdd edd|f3 edA|Bee e2d|Bee e3|! fdd edd|f3 edA|Bdd d2A|Bdd d2:|! X:22 T:I Buried My Wife and Danced on Top of Her R:jig Z:id:hn-jig-88 M:6/8 L:1/8 K:Dmix DED F2G|AdB cAF|~G3 cAG|~F3 GEA|DED F2G|AdB cAF|~G3 cAG|AFD D3:| |:d2e fed|faf gfe|d2e fed|dcA dcA|d2e fed|faf gfe|dcA BAG|AFD D3:| X:3 T:Dol-li-la C:Trad S:Northumbrian Minstrelsy M:4/4 K:Bb GG AB cA G2| Bc d2 Bc d2|G2 AB cA G2| Bc d2 G4|| e2 dc dB G2| B2 d z B2 d z| e2 dc dB G2| Bc d^F G4| X:61 T:The Green Wood R:song air B:Joyce, P. W.; "Old Irish Folk Music and Songs" M:C L:1/8 K:F "Slow"\ EAAA A2 GA|F2 G/E/D D4|Adde f>dec|dA FG A4| A2 GA FDFG|AFED d2 d>e|f>dec dAGA|F2 E>D D4|| X:62 T:Reel T:(The Merry Blacksmith) T:(The Boys of the Lake) R:reel H:Sent to me years ago by Mr. (Now Dr.) Grattan Flood of Co. Wexford. A:Wexford B:Joyce, P. W.; "Old Irish Folk Music and Songs" M:C L:1/8 K:D d2 dA BAFA|BAdA BAFG|ABde fded|Beed Beef| d2 dA BAFA|BAdA BAFG|ABde faef|dBAf d2 d2|| a2 ag fgfd|cdeg fedB|ABde fded|Beed Befg| abag fgfe|(3dcdfd BAFG|ABde faef|dBAF D2 D2|| X:63 T:Morrison's R:jig M:6/8 K:EDor |~E3 BEB|EBE AFD|~E3 BEB|dcB AFD|~E3 BEB|EBE AFD|~G3 FGA|BAG FED:| Bee fee|aee fed|Bee fee|fag fed|Bee fee|aee fed|gfe d2A|BAG FED| Bee fee|aee fed|Bee fee|faf def|~g3 gfe|def g2 d|edc d2 A|BAG FED|| X:64 T:Whelan's Fancy R:jig Z:Boston Z:A rolling version of Morrison's M:6/8 K:EDor ~E3 BAF|FEB AFD|~E3 ~B3|dcB AFD|~E3 BAF|FEB AFA|BdB BAB|dAG FED:| ~B3 ~e3|fed efe|~B3 g2 e|fed BAF|~B3 e2 g|fed e2 f|gbg faf|edB AFD:| X:65 T:Kid on the Mountain, The R:slip jig Z:O'Neill's has a sixth part that I've never heard played. E:13 M:9/8 K:G ~E3 FEF ~G3| ~E3 c2 A BGE|EDE FEF G2 A|BAG FAG FED:| BGB AFA G2D|GAB dge dBA|BGB AFA G2 A|BAG FAG FED:| egg eBB e2 f|~g3 efg afd|egg eBB ega|bag fag fed:| eBB e2 f ~g3| eBB efg afd|eBB e2f g2 a|bag fag fed:| edB dBA G2 D|GAB dge dBd|edB dBA G2 A|BAG FAG FED:| X:66 T:Bank of Ireland, The R:reel Z:Boston Z:You can slide into those leading C's E:6.5 M:C| K:DMix AB|c2 AB cBAG|EGDG EGAB|c2 AB cBAG|Adde fded|c2 AB cBAG|EGDG EGAB|c3 d cBAG|Add^c d2:| K:D e|f2df e3 c|dfed cA ~A2|f2df gfed|eaag ed d2|fg (3agf ef (3gfe|dfed cA~A2|Addc defg|af (3gfe d3:| X:68 T:Son Ar Skoff C:trad S:from the playing of John Skelton D:John Skelton, "One At A Time" (Pan Records 146CD) O:Pourlet region of Brittany Z:Gary Chapin M:3/4 L:1/4 Q:1/4=250 K:E Minor EGB|A2 B|G2 F|E2F|G/F/ EF|G2 A|BAB|F3|G/F/Ec|B2c|AGF|E3|EGB|A2 G|B/A/ GF |E3:: EFA|G3|EFA|G3|FGA|BcA|B2G|F3|FGA|B2A|B2G|F3|EFA|G3|F/E/DE|E3:|| X:23 T:Forked Deer Z:Converted from Nottingham Database format by Philip Rowe M:4/4 L:1/4 K:D %http://www.musicaviva.com/abc/abcusers/abcusers99.abc d-|\ "D"d/2e/2f/2g/2aa/2f/2|\ "G"g/2a/2g/2e/2"A7"f/2d/2e| "D"d/2e/2f/2g/2a/2b/2a|\ "A7"e/2f/2e/2d/2c/2B/2A/2B/2| "D"d/2e/2f/2g/2aa/2f/2|\ "G"g/2a/2g/2e/2"A7"f/2d/2e| "D"d/2A/2c/2A/2B/2c/2A/2G/2|\ "A7"F/2D/2E/2F/2"D"D::\ F| "A7"A3/2c/2B/2A/2c/2B/2|\ A/2c/2B/2A/2E/2D/2E| "A7"AA/2c/2B/2c/2B/2A/2|\ "D"F/2D/2E/2F/2D/2E/2D/2F/2| "A7"A3/2A/2B/2A/2c/2A/2|\ "D"d/2A/2B/2A/2FF/2E/2| "D"DE/2D/2"G"F/2D/2G/2D/2|\ "A7"F/2D/2E/2F/2"D"D:| % %and posted Oct 16th 1999 at ABC-users in reply to a request %from Rod Smith for "old time tunes" %See "Done Gone" (above) for more information X:24 T:Gan Ainm R:Reel S:Connie Connel, Cork (fiddle) N:As played D:Session tape - Milltown Malbay 1983 Z:Bernie Stocks M:4/4 L:1/8 K:D A3A BFAF | DFAF EDB,D | A3B {d}BFAB | dBAF EDB,D :| d2fd edfd | ~d2fd B2AB | d2fd edfd | {e}dBAF EDB,D | d2fd edfd | ~d2fd B2Ad | fded {e}dB~B2 | dBAF EDB,D || X:25 T:Gan Ainm R:Reel S:Connie Connel, Cork (fiddle) H:He sounds a bit unsure of this. N:As played D:Session tape - Milltown Malbay 1983 Z:Bernie Stocks M:4/4 L:1/8 K:D ~E2BE ~E2BE |~E2BE AFDF | ~E2BE GBdB | AFDE FE{G}ED :: fedB A4 | fedB AFD2 | e3f gfec | dBAG FDD2 :| X:26 T:Gan Ainm R:Reel S:Gerry McCartney, Belfast (banjo-mandolin) N:As played D:Session tape - Ballaghadereen Fleadh, 1977 Z:Bernie Stocks M:4/4 K:D %ie. Em GEBE GEBE | FDAD FDAD |1 GEBE GEBE | FEDF E3F :|2 G2GF GBdB | AGFG E3F || G2GF GBdB | ABAG FDAD | BeeB e3f | gfed Beef | gfge dedB | ABAG FDAD | Beed BcdB | AFDF E4 || X:27 T:Ríl gan ainm R:reel S:Session in Cleary's back room, Miltown Malbay 1991 M:C| L:1/8 K:Amix cd|:~e3f ecAc|efec d2cd|eA~A2 ef{a}ge|1 dBGB d2cd:|2 dBGB dfed|| |:cA{c}A^G ~A3B|cA{c}Ac efed|cA~A2 ef{a}ge|1 dBGB dfed:|2 dBGB d2fg|| |:aece aece|~a3g e2ef|1 gdBd gdBd|(3gag fg ef{a}ge:|2 ~g3e ~f3d|(3gag fg edcd|| X:28 T:Garraí na bhFeileog T:Poll Ha'Penny T:Paul Halfpenny R:hornpipe H:The Irish title means "The Garden of Honeysuckles" D:Mary Bergin: Feadoga Stain D:Noel Hill agus Tony McMahon: I gCnoc na Grai Z:id:hn-hornpipe-26 M:C| K:Amix (3GAB|=cAAG A2 (3AB=c|(3d=cB (3AGF G2 (3B^cd|ed^cA d^cAG|~A3G A2de| ~f3d ~e3c|d2 (3Bcd efge|aged (3=cBA GB|~A3G A2:| |:ef|~g3f gfef|g2ga gedg|eaag ~a3g|eaag a2ag| ~f3d ~e3c|d2 (3Bcd efge|aged (3=cBA GB|~A3G A2:| "Version 2:" AB|=cAAG A2GA|dcAF G2 (3Bcd|edcA dcAG|A2 (3AAA A2ag| ~f3d efec|d2 (3Bcd efge|agfd =cAGE|A2AG A2:| |:ef|gfga gedB|=cdef gafg|e2a2 abag|e2a2 abag| ~f3d efec|d2 (3Bcd efge|agfd =cAGE|A2AG A2:| X:29 T:Sean Reid's T:Gilbert Clancy's R:reel D:Mary Bergin: Feadoga Stain Z:id:hn-reel-321 M:C| K:G DG~G2 BG~G2|cA~A2 dcAd|DG~G2 ~B3d|cAdc AGGF| DG~G2 BG~G2|cA~A2 dcAd|~g3a gfde|1 fdcA AGGF:|2 fdcA AGBd|| |:g2ag gfde|fefg afaf|dg~g2 gfde|fdcA AGBd| g2ag gfde|fefg afaf|1 ~g3a gfde|fdcA AGBd:|2 dg~g2 bgag|fdcA AGGF|| "Variations:" DG~G2 ~B3d|cA~A2 dBBA|DG~G2 BG~G2|cAdc AGGF| GD~D2 BD~D2|cD~D2 dcAd|g2ag gfde|1 fdcA AGGF:|2 fdcA AG~G2|| |:dg~g2 gfde|f2ge fdcA|dg~g2 gfde|fdcA AG~G2| dg~g2 gfde|fdge fdcA|1 dg~g2 gfde|fdcA AGBd:|2 dg~g2 bgag|fdcA AGGF|| X:52 T:Reelin Bridge R:Reel C:Copyright 1995 Michael Robinson N:Reelin Bridge is in the Blue Stack mountains of Donegal. M:4/4 L:1/8 Q:200 K:ADor "Am"ABcd efga|"G"bgdg BGGB|"Am"ABcd efga|"G"bgdB "Am"A2A2:| "Am"aece "G"dBGB|"Am"cAEA "Em"GEE2|"Am"aece "G"dBGB|"F"c/2B/2A "G"BG "Am "A2A2| "Am"aece "G"dBGB|"Am"cAEA "Em"GEE2|"Am"A,B,CD EFGA|"G"BGDB, "Am"A,4|| X:234 T:Tam Lin T:Howling Wind R:reel N:First played in Dm a few times round, then in Am a few times round Z:id:hn-reel-234 M:C| K:Dm A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DDC| A,2DA, FA,DA,|B,2DB, FB,DB,|C2EC GCEC|FEDC A,DD2:| |:dA~A2 FADA|dA~A2 FADA|cG~G2 EG~G2|cG~G2 cdec| dA~A2 FADA|dA~A2 FADA,|~B,3A, B,CDE|FDEC A,DD2:| K:Am E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAAG| E2AE cEAE|F2AF cFAF|G2BG dGBG|cBAG EAA2:| |:ae~e2 ceAe|ae~e2 ceAe|gd~d2 Bd~d2|gd~d2 gabg| ae~e2 ceAe|ae~e2 ceAE|~F3E FGAB|cABG EAA2:| X:30 T:Sandmount Reel, The T:Mick Hand's R:reel D:De Danann: Selected Jigs & Reels D:Mary Bergin: Feadoga Stain D:Dervish: Harmony Hill Z:id:hn-reel-377 M:C| K:Ador eAAG ~A3G|EGDG EGDG|EAAG A2 (3Bcd|egfa gedg:| eaag a2ba|gede gedg|eaag a2ga|bagb ~a3g| eaag a2ba|gedB dega|bgaf gefd|~e3d e2ag|| X:31 T:Galway Bay R:hornpipe S:Jonas Lindholm Z:id:hn-hornpipe-96 M:C| K:Gdor GA|BABc dcdf|gfdf gabg|fdbg fdcd|BGGA GFDF| ~G3A BABG|FEFG AGFD|GABc dcAc|(3BcB G2 G2:| |:za|gfdf gabg|gfd_e dBGA|BABc dcd=e|fcdB AGFA| (3BcB dB AFcA|BFdB AF_ec|dfga bagf|d2 (3ggg g2:| X:32 T:Maid I Ne'er Forgot, The R:reel D:Arty McGlynn & Nollaig Casey: Lead the Knave Z:id:hn-reel-529 M:C| K:Edor ~E3F GFGA|B2Ad dBA=c|BGEF GAB^c|d2e^c dBAF| ~E3F GFGA|B2Ad dBA=c|BGEF GAB^c|1 dBAF GEED:|2 dBAF GE~E2|| |:~B3d ~e3f|geaf gfed|BEEF GAB^c|dBAG FGAF| E2BE dEBE|B2Ad dBA=c|BGEF GAB^c|1 dBAF GE~E2:|2 dBAF GEED|| "variations" |:~E3F ~G3A|B2eB dBA=c|BEEF GAB^c|d2e^c dBAF| ~E3F ~G3A|BdeB dBA=c|BEEF GAB^c|1 dBA=c BEED:|2 dBA=c BE~E2|| |:~B3d ~e3f|gfed eBBA|BGEF GAB^c|dBAG FDDF| E2BE dEBE|B2eB dBA=c|BEEF GAB^c|1 dBA=c BE~E2:|2 dBA=c BEED|| X:34 T:Baillez-li R:Bourrée à 2 temps A:Bourbonnais O:France M:2/4 L:1/8 Q:220 K:G G>F GB|AG FD|A>G Ac|BA G2|G>F GB|AG FA/2B/2|cB/2A/2 EF|G4:| |:F>A FA|GA BA|F>A FA|GF E2|F>A FA|GA BA/2B/2|cB/2A/2 EF|G4:| X:36 T:The Cliffs of Moher R:Jig A:Ireland Z:Boston, Madison, Vancouver M:6/8 K:G "Am"eaa bag|(4efaf ged|c2 A "G"BAG|"Em"EFG "Am"ABc| eaa bag|(4efaf ged|cAA "G"BAG|"Em"EFG "Am"A3:| "Am"efe dBA|efe dBA|"G"G2 d dBA|GAB dBd| "Am"efe dBA|efe dBA|"G"GAB dBG|EFG "Am"A3| ~e3 dBA|~e3 dBA|"G"~G3 dBA|GAB dBd| "Am"efe dee|cee Bee|"Em"EFG BAG|EDB, "Am"A,3|| X:37 T:The Cliffs of Moher (var) R:Jig S:Paddy Canny, Clare (fiddle) H:A major version of a usually minor tune. H:'c' very mobile and the 'Bb' slid, actually a slid 'B' that H:never quite makes it. N:As played D:Private tape Z:Bernie Stocks M:6/8 K:G ~g3 agf | d2g fdc | _B2G AGF | DGG ABc | dgg agf | dgg fdc | _B2G AGF | DC_B, G,3 | ~g3 agf | dgg fdc | _B2G AGF | DGG ABc | d(3.g.g.g agf | dgg fdc | _B2G AGF | DGF GAc || ~d3 cAG | Add cAG | FGA {d}cAG | FGA cBc | ~d3 cAG | Add cAG | FGA {d}cAG | DGF G2A | ~d3 cAG | Add cAG | FGA {d}cAG | FGA ~c3 | Add edd | ^cdd Bdd | GBd AFA | GBd ~f3 || X:38 T:Halling R:Halling C:e. Anders Rosen O:Sweden O:Norway M:2/4 K:DDor A,D|\ D2A,D D2A,D|D2^CD E4|EDED EDEF|EFE^C D2:| |:A,2|\ D2^CD E2DE|F2EF G2FG|A3G EFE^C \ |1 D2A,D D2:|2 D4D4 || |:d2c2 A3G|FD3 {D}E2E^C|DA,3 {A,}D2A,2|\ d2c2 A3G|FD3 {D}E2E^C|D4 D2:| |:A,2|\ DA,3 {A}D2DD|E^C3 {C}D2DE|FD3 {D}E2E^C\ |1E^C3 {C}D2 :|2 D4D2|| X:39 T:Mrs. O'Sullivan's Jig R:jig D:Patrick Street 1. Z:Also played in A minor. Z:id:hn-jig-9 M:6/8 K:Bm FAA AFE|FAA d2c|BdB BAB|def f2e| def a2b|afe d2e|fbb fge|1 dBB B2A:|2 dBB B2e|| |:faa afe|faa a2e|fbb bab|c'ba b2c| def a2b|afe d2e|fbb fge|1 dBB B2e:|2 dBB B2A|| X:40 T:The Bunny's Hat R:reel C:David Lim N: Not at all sure about the barring of the B part, may be a couple of N: 2/4 bars in there somewhere :-) D:Michael McGoldrick : Fused Z:Steve Mansfield July 2001 M:4/4 L:1/8 K:Bm FABF cBAF | BcdB fedB | FABF ~A3 F | EF~F2 AB ~B2 | FABF cBAF | BcdB fedB | FABd cA ~A2 | fdec B4 :: FB de f2 ~ff | f2 ~ff edBA | FBde f2 ~ff | edBA B4 | FB de f2 ~ff | afff bafe | dB~BB cA~AA | fdec B4 :| X:41 T:La Sansonette Z:Bill Reeder M:4/4 L:1/8 K:Bm f2 f2 e3 d| cdef B4|Bcde f2 ef |a2b2 f4|! f2f2 e3d|cdef B4|Bcde f2 ed|cdef B4:||! f2df gdfg|f2df gdfg|c3f gcfg|c3f gcfg|! f2df gdfg|f2df gdfg|c3g fedc|Bcdc B4:|| X:42 T:Sansonette R:Schottische C:Daniel Forge Z:Steve Mansfield M:4/4 L:1/8 K:Dm A2^GA =G2 F2 | EFGA D4 | DEFG A2 GA | c2 B2 A4 | A2^GA =G2 F2 | EFGA D4 | DEFG A2 GF | EDEF D4 :: A2 FA BFAB | A2 FA BFAB | E2 EA BEAB | E2 EA BEAB | A2 FA BFAB | A2 FA BFAB | ABAG FGFE | DEFE D4 :| X:43 T:---digital trad.-- X:44 T:Three Ravens, The S:Digital Tradition, threravn B:From Ravenscroft's 1616 "Melismate" D:Recorded on Richard Dyer-Bennet 4 and Nye's Early English Ballads Z:dt:threravn M:2/2 L:1/8 Q:1/2=100 W:There were three ravens sat on a tree, W:Down a down, hey down, hey down W:They were a black as black might be, W:With a down. W:The one of them said to his mate. W:"Where shall we our breakfast take?" W:With a down, derry, derry, derry down, down. W: W:Down in yonder green field, W:Down a down, hey down, hey down W:Their lies a knight slain under his shield, W:With a down. W:His hounds they lie down at his feet W:So well they do their master keep. W:With a down, derry, derry, derry down, down. W: W:His hawks they fly so eagerly W:Down a down, hey down, hey down W:No other fowl dare him come nigh, W:With a down. W:Down there comes a fallow doe W:As heavy with young as she might go. W:With a down, derry, derry, derry down, down. W: W:She lifted up his bloody head, W:Down a down, hey down, hey down W:And kissed his wounds that were so red, W:With a down. W:She got him up upon her back W:And carried him to earthen lake. W:With a down, derry, derry, derry down, down. W: W:She buried him before the prime, W:Down a down, hey down, hey down W:She was dead herself ere even-song time, W:With a down. W:God send every gentleman W:Such hawks, such hounds, and such leman, W:With a down, derry, derry, derry down, down. K:G E2|\ "Em"E2F2 G2B2|"Am"A2G2 F4|"Em"E3F G2A2|"B"B3c B2B2| "Em"E2F2 G2E2|"D"F2G2 A2GA|"G"B4-"B"B2B2|"G"B2d2 c2B2| "D"A2G2 F2F2|"Em"G2B2 A2G2|"B"F2^D2 B,2GA|"G"B4 "B"AGFE|\ ^DEF2 "Em"E4 |z2|| X:45 T:Two Puritains, The S:Digital Tradition, twopurit N:Tune: Stingo, or Oil of Barley or Cold and Raw N:No melody, but it scans well to "Stingo" a 17th century English dance tune. WBO B:Lyrics obtained from "An Uninhibited Treasury of Erotic Poetry". O:English Z:dt:twopurit M:6/4 L:1/8 Q:3/4=154 W:It was a puritanical lad W:His name it was Matthias W:And he would go to Amsterdam W:To speak with Ananias. W:He had not gone but half a mile W:When he met with a holy sister; W:He laid his Bible under her breech, W:And merrily he kissed her. W: W:"Alas! what would the wicked say," W: Quoth she, "If they had seen it!" W:"My buttocks lie too low; W:I wish Apocrypha were in it!" W:"Peace, sweetheart, for ere we part- W:I speak in pure devotion - W:By yea and nay I'll not away W:Till thou feel my spirit's motion. W: W:They huffed and puffed with many heaves W: 'Til that they both were tired. W:"Alas, " quoth she, "You'll spoil the leaves, W:My petticoat's all mired! W:If we professors should be know W:To all the congregation, W:Either at Leyden or Amsterdam W:It would disgrace our nation." W: W:"But since it is that part we must, W:Though I am much unwilling, W:Brother, let's have another thrust W:And take thee this fine shilling W:To bear thy charges when thou go'est W:As passage o'er the ocean." W:Then down she laid and, so tis said, W:She quenched his spirit's motion. K:F "Gm"G4G2 d4B2|"F"c2A4 F4F2|"Gm"G4G2 "D7"d4B2|"Gm"G6 B6|\ "Gm"G4G2 d4B2|"F"c2A4 F4F2|"Gm"G4G2 "D7"d4B2|"Gm"G6 B6| "Bb"B4B2 B4A-B|"Cm"c4c2 c4c2|"Gm"d4d2 g4g2|"Bb"d6 f6|\ "Gm"B4B2 B4A-B|"F"c4c2 c3d-_e2|"Gm"d3-cB2 "D7"c4A2|"Gm"G6 B6|| X:46 T:Chastity Belt, The S:Digital Tradition, chasbelt M:3/4 L:1/8 Q:1/4=100 W:Oh say, gentle maiden, may I be your lover W:Condemn me no longer to moan and to weep W:Struck down like a hawk, I lie wounded and bleeding W:Oh let down your drawbridge, I'll enter your keep W:Enter your keep nonie nonie, enter your keep nonie nonie W:Let down your drawbridge, I'll enter your keep W: W:Alas gentle errant, I am not a maiden W:I'm married to Sir Oswald, that cunning old Celt W:He's gone to wars for twelve months or longer W:And he's taken the key to my chastity belt W:Chastity belt nonie nonie, chastity belt nonie nonie W:Taken the key to my chastity belt W: W:Fear not gentle lady for I know a locksmith W:To his shop we will go, on his door we will knock W:And try to avail us of his technical knowledge W:And see if he's able to unpick your lock W:Unpick your lock nonie nonie, unpick your lock nonie nonie W:See if he's able to unpick your lock W: W:Alas sir and madam, to help I'm unable W:My technical knowledge is to no avail W:I can't find the secret to your combination W:For the cunning old bastard has fitted a Yale W:Fitted a Yale nonie nonie, fitted a Yale nonie none W:The cunning old bastard has fitted a Yale W: W:I come from the wars with dire news of disaster W:A terrible mishap I have to confide W:As my ship was a passing the Straits of Gibraltar W:I carelessly dropped the key over the side W:Over the side nonie nonie, over the side nonie nonie W:Carelessly dropped the key over the side W: W:Alas and alack I am locked up forever W:Then up spoke the page boy "Leave it to me" W:If you will allow me to enter your chamber W:I'll open it up with me duplicate key W:Duplicate key nonie nonie, duplicate key nonie nonie W:Open it up with me duplicate key K:G B,2|"Em"E2 B,2 E2|"B"F2 B,2 F2|"Em"G2 A-G F-E|"B"^D2 B,2 B,2|\ "Em"E2 B,2 E2|"B"F2 B,2 F2|"Em"G2 B2 ^A2|"B"B4 B2| "Em"B2 G2 B2|"D"A2 F2 A2|"Em"G2 A-G F-E|"B"^D2 B,2 B,2|\ "Em"E2 F2 G2|"D"F2 G2 A2|"Em"G2 G2 F2|"Em"E6| "Em"B2 G2 B2|"G"d2 cB AG|"D"A2 F2 A2|"B7"c2 BA GF|\ "Em"E2 F2 G2|"D"F2 G2 A2|"Em"G2 G2 F2|"Em"E4 || X:47 T:Two Magicians, The C:A.L. Lloyd S:Digital Tradition, magicn2 H:This song is a derivative of Child Ballad 44, with a tune by H:A. L. Lloyd. N:Author: Trad. (Child #44) D:It was recorded by John Roberts & Tony Barrand on Dark Ships in the Forest, D:Folk Legacy 65 in the key of C. Also by Frankie Armstrong on Bird in the Bush and by Carthy Z:dt:magicn2 M:4/4 L:1/8 Q:2/4=100 W:The lady sits at her own front door W:As straight as a willow wand W:And by there come a lusty smith W:With his hammer in his hand W: W: Crying bide lady bide W: For there's a nowhere you can hide W: For the lusty smith will be your love W: And he will lay your pride. W: W:Why do you sit there lady fair W:All in your robes of red W:I'll come tomorrow at this same time W:And have you in me bed W: W: Crying . . . W: W:Away away you coal black smith W:Would you do me this wrong W:For to think to have me maiden head W:That I have kept so long W: W:I'd rather I was dead and cold W:And me body laid in the grave W:Than a lusty, dusty, coal black smith W:Me maiden head should have W: W: Crying . . . W: W:So the lady, she curled up her hand W:And swore upon the mold W:That he'd not have her maiden head W:For all of a pot of gold. W: W:But the blacksmith he curled up his hand W:And he swore upon the mast W:That he would have her maiden head W:For the half of that or less W: W: Crying . . . W: W:So the lady she turned into a dove W:And flew up into the air W:Ah, but he became an old cock pigeon W:And they flew pair and pair W: W: Cooing . . . W: W:So the lady she turned into a mare W:As dark as the night was black W:Ah, but he became a golden saddle W:And he clumb upon to her back W: W: Itching . . . W: W:So the lady she turned into a hare W:And ran all over the plane W:Ah, but he became a greyhound dog W:And ran her down again W: W: Barking . . . W: W:So the lady she turned into a fly W:And fluttered up into the air W:Ah, but he became a big, hairy spider W:And dragged her into his lair W: W: Spinning . . . W: W:So the lady she turned into a sheep W:Grazing on yon common W:Ah, but he became a big horny ram W:And soon he was upon her. W: W: Bleating . . . W: W:So she turned into a full dress ship W:And she sailed all over the sea W:Ah, but he became a bold captain W:And aboard of her went he W: W: Ordering . . . W: W:So the lady she turned into a cloud W:Floating away in the air W:Ah, but he became a lightning flash W:And zipped right into her W: W: Shocking . . . W: W:So she turned into a mulberry tree W:A mulberry tree in the wood W:Ah, but he came forth as the morning dew W:And sprinkled her where she stood. W: W: Dripping . . . W: W:So the lady she ran into the bedroom W:And she changed into a bed W:Ah, but he became a green coverlet W:And he gained her maidenhead W: W:And once she woke he took her so W:And still he bad her bide W:And the lusty smith became her love W:For all of her mighty pride. K:C d2|"Dm"d2d2 c2cc|"F"d2d2 D2E2|"Dm"F2GF "C7"E2D2|"C"C6F2| "Dm"D2D2 F2G2|A2F2 d2cc|"Am"A2c2 E2E2|"Dm"D4 D2D2| "Dm"d4 "Am"c2A2|"Dm"d6E2|"F"F2G-F E2D2|"C"C6FE| "Dm"D2D2 F2G2|"F"A2F2 "Dm"d2"F"c2|"Am"A-Bc2 "C"E2E2|"Dm"D6|| X:48 T:-- autres -- X:49 T:Szla dzieweczka R:waltz O:Poland Z: John Chambers http://eddie.mit.edu/~jc/music/ M:3/4 L:1/4 K:C P: C instruments |: "C"G2 c | e2 d | "F"c2 B | c B A | "C"G2 G | E2 F | G3- | G3 | "G7"F2 F | D2 E | F3- | F3 | |1 "C"G2 G | E2 F | G3- | G3 :|2 "C"G2 G | e2 d | c3- | c3 [| "C"e e/d/c | e e/d/c | "A7"e f> e | "Dm"d3 | | "G7"d d/c/B | d d/c/B | d e> d | "C"c3 || "C" e e/d/c | e e/d/c | "A7"e f> e | "Dm"d e \ | "Dm"f e d | "C"c B A | "G7"G A B | "C"c3 |] %%sep 5 5 100 50 P: with harmony and "cuckoos" K: C |: "C"[G2E] [cG] | [e2c] [dB] | "F"[c2A] [BG] | [cA] [BG] [AF] \ | "C"[G2E] [GE] | [E2C] [FD] | [G2E] .[ge] | [e3c] | "G7"[F2D] [FD] | [D2B,] [EC] | [F2D] .[fd] | [d3B] | |1 "C"[G2E] [GE] | [E2C] [FD] | [G2E] .[ge] | [e3c] :|2 "C"[G2E] [GE] | [e2G] [dF] | [c3E]- | [c3E] \ [| "C"[eG] [e/G][d/F][cE] | [eG] [e/G][d/F][cE] | "A7"[eG] [fA]> [eG] | "Dm"[d3F] | | "G7"[dF] [d/F][c/E][BD] | [dF] [d/F][c/E][BD] | [dF] [eG]> [dF] | "C"[c3E] \ || "C" [eG] [e/G][d/F][cE] | [eG] [e/G][d/F][cE] | "A7"[eG] [fA]> [eG] | "Dm"[d2F] [eG] \ | "Dm"[fA] [eG] [dF] | "C"[cE] [BE] [AF] | "G7"[GG] [A_G] [BF] | "C"[c3E] |] X:51 T:l'Arromic et lo pinsan N: (la fourmi et le pinson) conversion de Arropin.mid (http://perso.wanadoo.fr/esquirol/) M:4/4 L:1/8 Q:1/4=110 K:C % 0 sharps % Last note suggests minor mode tune % Time signature=2/4 MIDI-clocks/click=96 32nd-notes/24-MIDI-clocks=8 V:1 %%MIDI program 1 71 % MIDI Key signature, sharp/flats=0 minor=0 AB cz/2B/2 A^G A3/2z/2|Bc Bz/2A/2 B^G A3/2z/2|AB cz/2B/2 A^G A3/2z/2|Bc Bz/2A/2 B^G A3/2z/2| cd ee ec d3/2z/2|cB AA cA =G3/2z/2|Bc A3/2z/2 EF/2^G/2 AA|Bc A3/2z/2 EF/2^G/2 A3/2z/2| AB cz/2B/2 A^G A3/2z/2|Bc Bz/2A/2 B^G A3/2z/2|AB cz/2B/2 A^G A3/2z/2|Bc Bz/2A/2 B^G A3/2z/2| cd ee ec d3/2z/2|cB AA cA =G3/2z/2|Bc A3/2z/2 EF/2^G/2 AA|Bc A3/2z/2 EF/2^G/2 A3/2z/2| AB cz/2B/2 A^G A3/2z/2|Bc Bz/2A/2 B^G A3/2z/2|AB cz/2B/2 A^G A3/2z/2|Bc Bz/2A/2 B^G A3/2z/2| cd ee ec d3/2z/2|cB AA cA =G3/2z/2|Bc A3/2z/2 EF/2^G/2 AA|Bc A3/2z/2 EF/2^G/2 A3/2z/2| AB cz/2B/2 A^G A3/2z/2|Bc Bz/2A/2 B^G A3/2z/2|AB cz/2B/2 A^G A3/2z/2|Bc Bz/2A/2 B^G A3/2z/2| cd ee ec d3/2z/2|cB AA cA =G3/2z/2|Bc A3/2z/2 EF/2^G/2 AA|Bc A3/2z/2 EF/2^G/2 A3/2z/2| AB cz/2B/2 A^G A3/2z/2|Bc Bz/2A/2 B^G A3/2z/2|AB cz/2B/2 A^G A3/2z/2|Bc Bz/2A/2 B^G A3/2z/2| cd ee ec d3/2z/2|cB AA cA =G3/2z/2|Bc A3/2z/2 EF/2^G/2 AA|Bc A3/2z/2 EF/2^G/2 A3/2 V:2 %%MIDI program 2 22 % MIDI Key signature, sharp/flats=0 minor=0 e/2d/2c/2B/2 cA2B c3/2z/2|e/2d/2c/2B/2 cA2d c3/2z/2|e/2d/2c/2B/2 cA2B c3/2z/2|e/2d/2c/2B/2 cA2d c3/2z/2| EF =GG/2G/2 GE D3/2z/2|AE2F/2G/2 CF E3/2z/2|e/2d/2c/2B/2 cA EF C3/2z/2|e/2c/2d/2B/2 cc2B E3/2z/2| e/2d/2c/2B/2 cA2B c3/2z/2|e/2d/2c/2B/2 cA2d c3/2z/2|e/2d/2c/2B/2 cA2B c3/2z/2|e/2d/2c/2B/2 cA2d c3/2z/2| EF GG/2G/2 GE D3/2z/2|AE2F/2G/2 CF E3/2z/2|e/2d/2c/2B/2 cA EF C3/2z/2|e/2c/2d/2B/2 cc2B E3/2z/2| e/2d/2c/2B/2 cA2B c3/2z/2|e/2d/2c/2B/2 cA2d c3/2z/2|e/2d/2c/2B/2 cA2B c3/2z/2|e/2d/2c/2B/2 cA2d c3/2z/2| EF GG/2G/2 GE D3/2z/2|AE2F/2G/2 CF E3/2z/2|e/2d/2c/2B/2 cA EF C3/2z/2|e/2c/2d/2B/2 cc2B E3/2z/2| e/2d/2c/2B/2 cA2B c3/2z/2|e/2d/2c/2B/2 cA2d c3/2z/2|e/2d/2c/2B/2 cA2B c3/2z/2|e/2d/2c/2B/2 cA2d c3/2z/2| EF GG/2G/2 GE D3/2z/2|AE2F/2G/2 CF E3/2z/2|e/2d/2c/2B/2 cA EF C3/2z/2|e/2c/2d/2B/2 cc2B E3/2z/2| e/2d/2c/2B/2 cA2B c3/2z/2|e/2d/2c/2B/2 cA2d c3/2z/2|e/2d/2c/2B/2 cA2B c3/2z/2|e/2d/2c/2B/2 cA2d c3/2z/2| EF GG/2G/2 GE D3/2z/2|AE2F/2G/2 CF E3/2z/2|e/2d/2c/2B/2 cA EF C3/2z/2|e/2c/2d/2B/2 cc2B E3/2 V:3 %%MIDI program 3 24 % MIDI Key signature, sharp/flats=0 minor=0 A,2- A,/2z/2E z^G/2F/2 EE|A,2- A,/2z/2E z^G DE|A,2- A,/2z/2E z^G/2F/2 EE|A,2- A,/2z/2E z^G DE| G,G, CC EE ^F^F|EE CC EC B,3/2z/2|A,2- A,/2z/2E z^G/2=F/2 EE|A,2->A,/2E2-E/2B, C3/2z/2| A,2- A,/2z/2E z^G/2F/2 EE|A,2- A,/2z/2E z^G DE|A,2- A,/2z/2E z^G/2F/2 EE|A,2- A,/2z/2E z^G DE| G,G, CC EE ^F^F|EE CC EC B,3/2z/2|A,2- A,/2z/2E z^G/2=F/2 EE|A,2->A,/2E2-E/2B, C3/2z/2| A,2- A,/2z/2E z^G/2F/2 EE|A,2- A,/2z/2E z^G DE|A,2- A,/2z/2E z^G/2F/2 EE|A,2- A,/2z/2E z^G DE| G,G, CC EE ^F^F|EE CC EC B,3/2z/2|A,2- A,/2z/2E z^G/2=F/2 EE|A,2->A,/2E2-E/2B, C3/2z/2| A,2- A,/2z/2E z^G/2F/2 EE|A,2- A,/2z/2E z^G DE|A,2- A,/2z/2E z^G/2F/2 EE|A,2- A,/2z/2E z^G DE| G,G, CC EE ^F^F|EE CC EC B,3/2z/2|A,2- A,/2z/2E z^G/2=F/2 EE|A,2->A,/2E2-E/2B, C3/2z/2| A,2- A,/2z/2E z^G/2F/2 EE|A,2- A,/2z/2E z^G DE|A,2- A,/2z/2E z^G/2F/2 EE|A,2- A,/2z/2E z^G DE| G,G, CC EE ^F^F|EE CC EC B,3/2z/2|A,2- A,/2z/2E z^G/2=F/2 EE|A,2->A,/2E2-E/2B, C3/2 % MIDI Key signature, sharp/flats=0 minor=0 % MIDI Key signature, sharp/flats=0 minor=0 % MIDI Key signature, sharp/flats=0 minor=0 % MIDI Key signature, sharp/flats=0 minor=0 %%vskip 0.5cm %%sep %%text France : X:6 T:J'avais une bonne amie R:bourree C:trad. A:Massif Central O:France M:3/8 L:1/8 Q:1/4=110 K:G D|GBG/2B/2|dBd|cAc|BGD|GBG/2B/2|dBd|cAF|G2 D| GBG/2B/2|dBd|cAc|BGD|GBG/2B/2|dBd|cAF|G2 B/2c/2| dcA/2c/2|BGB|AFA|BGB/2c/2|dcA/2c/2|BGB|AFD|G2B/2c/2| dcA/2c/2|BGB|AFA|BGB/2c/2|dcA/2c/2|BGB|AFD|G2|| X:15 T:Derrière Chez Nous R:Bourrée à 2 temps A:Berry O:France M:C K:G A>A AE A3B|c>B AG A2EF|G>G GEG3A|B>A GF E4:|D>D ED A3G| EG/2F/2 EFD3E|D>D EDA3|1 EG/2F/2 EFD3E:|2 EG/2F/2 ECD4|| X:2 T:AVANT-DEUX DES TOUCHES R:Avant deux M:4/4 L:1/8 Q:1/4=120 K:G |DGAB GF/2E/2F/2E/2D|DGAB G/2B/2AF/2A/2B|DGAB GF/2E/2F/2E/2D|DGAB G/2B/2 A/2F/2A/2F/2G3/2 z/2 | G/2B/2G/2B/2dd/2d/2 cedd/2d/2|cc/2c/2BB/2B/2 AABG|G/2B/2G/2B/2dd/2d/2 ce dd/2d/2|cc/2c/2BB/2B/2 AABG| G3/2 z/2 |:GG GBAA|AcBB Bdcc|c3/2 z/2:| dd BG/2B/2AF/2A/2|BGdd BG/2B/2AA|A3/2 z/2 dd BG/2B/2AF/2A/2|BGdd BG/2B/2 A/2F/2A/2F/2| G3/2| X:53 T:Juliette C:Trad(?) French S:Variation from Jo Downie B:Massif Central Tune Book Vol1 M:3/4 L:1/8 Q:1/4=150 K:G GA|"G"BABdGA|"G"BABdGB|"D"AGAcFA|"G"B2 G2 GA|! "G"BABdGA|"G"BABdGB|"D"AGAcFA|"G"G4:|! (3FEF|"D"A2 DFdc|"C"c2 B2 EF|"G"GEFGcB|"D"A4 (3FEF|! "D"A2 DFdc|"C"c2 B2 EF|"G"GFGABc|"D"d4:|! Bd|"G"GBDGBd|"C"d2 c2 Ac|"D"FADFAc|"G"c2 B2 Bd|! "G"GBDGBd|"C"d2 c2 Ac|"D"FADFAF|"G"G4:| X:1 T:La Matelotte T:or Masters in this Hall T:or The Female Sayler C:arr. Gustav Holst N:/musdi/070/152 O:from The Oxford Book of Carols; adapted by Laura Conrad M:12/8 L:1/8 K:F |:D2 A A2 G F3 G3 | A2 G F2 E F2 E D2 ^C| D2 A A2 G F3 G3 | A2 G F2 E D6 :| f2 e d2 ^c d3 A3 | f2 e d2 ^c d3 A2 =c | _B2 G A2 E F2 D F2 G | A3 =B2 ^c d3 e3 | f2 e d2 ^c d3 A3 | f2 e d2 ^c d3 A2 =c | _B2 G A2 E F2 D F2 G | A3 E2 D D6 |] X:50 T:Petite Marguerite R:Bourrée à trois temps A:Massif Central O:France M:3/4 K:F G/2A/2BA|GG/2A/2c|B2A|GF2| G/2A/2BA|GG/2A/2c|B2A|G3:| |:G/2A/2BA|FG/2A/2G|F2E|FG2| G/2A/2BA|FG/2A/2G|F2E|1F3:|2FA/2B/2c/2d/2| cA/2B/2A/2G/2|F zc|fz2|| X:54 T:Le Lierre C:Maxou Heintzen M:2/4 Q:1/4=150 K:G B3A G2F2|G2A2 F2GA|B3A G2F2|GFGA B2d2| B3A G2F2|G2A2 F4|E3F GFE2|F8:|E3F G2E2|FEFG A2Bc| B3A G2F2|G2A2 F2D2|E3F G2E2| FEFG A2Bc|B3A G2F2|E8:| X:329 T:L'anneau R:branle C:trad. A:Alsace O:France Z:S. Piron M:4/4 L:1/8 Q:1/4=115 K:C A|Ac BA G2G2|ce ed e3 A|Ac BA G2G2|ce ed e2 cd|e2 ef e2 dc| d2 df eA AB|A2 GF G2 Bd|c2B2A4|| X:72 T:TES PETITS SABOTS Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=85 K:Bb |:GA/2B/2GA Bcdc|d/2c/2d/2e/2dc/2B/2 BAG2:| dd/2e/2dc BGBA| |:d/2c/2d/2e/2dc/2B/2 BA/2G/2BA|d/2c/2d/2e/2dc/2B/2 BAG2:| X:35 T:Bourrée R:Bourrée à 3 temps A:Massif Central O:France M:3/4 Q:1/4=240 K:G D2|GFG2A2|G2F2G2|ABc2B2|A4D2|GFG2A2|G2F2G2|ABA2F2|G4:| Bc|d2B2A2|G2F2G2|ABc2B2|A4Bc|d2B2A2|G2F2G2|ABA2F2|G4:| X:33 T:Bourrée R:Bourrée à 2 temps A:Bourbonnais O:France M:2/4 L:1/8 Q:220 K:G B|d2AA|c2GG|B>d cB|A/2G/2A/2B/2 A/2c/2B/2c/2|d2AA|c2GG|B>d cB|A3:| |:F/2G/2|AA AA|A2 G/2F/2G/2A/2|Bd Be|^c>B Ad|AF GA|B2 EF/2G/2|AG/2F/2E2|D3:|| X:11 T:La Sabotée R:Bourrée à 3 temps A:Berry O:France M:3/4 Q:1/4=180 K:C EF|G2 GA GF|E2C2 EF|G2G2A2|G3 z EF|G2 GA GF|E2C2E2|G2F2D2|C3 z E2:| E2 DE FE|D2 C2 D2|D2 C2 D2|E2 C2 E2|E2 DE FE|D2 C2 D2|G2 F2 D2|C3 z:|| X:36 T:Bourrée croisée de Glux R:Bourrée à 3 temps A:Morvan O:France M:3/4 L:1/8 Q:1/4=200 K:C f2|ff e2g2|f4 de|fe d2f2|e4 cd|ed c2e2|d4 Bc|dc B2d2|c4G2|c4 cd| |:e2 ef ed|c4 cd|e2f2e2|c4Bc|d2de dc|B4 de|f2e2d2|1e2c2 cd:|2c4 G2| |:gf e2g2|f4 de|fe d2 f2|e4 cd|ed c2e2|d4 Bc|dc B2d2|1e2c2g2:|2c4|| X:42 T:J'ai vu le loup R:bourrée à 3 temps C:trad O:France M:3/8 L:1/8 Q:1/4=110 K:G cBc|A2c|B/2A/2 G2|cBc|ABG|A3:| |:EFG|A2 G/2F/2|EA2|EFG|ABA|G3:|| X:43 T:Bourrée à huit R:bourrée à 3 temps C:trad O:France M:3/8 L:1/8 Q:1/4=100 K:G d2^c|d2A/2B/2|cBA|BGD|d2^c|d2A/2B/2|cBA|1G3:|2G2| |:D|GFG|D2G|A>d B/2A/2|BGD|GFE|D2G|A2F|1G2:|2G3|| X:130 T:Bourr\'ee la Marianne R:Bourr\'ee O:France Z:Richard Robinson M:3/8 K:C %%RR_OriginalCollection: g2|\ gfe2f2| g4a2| gfe2d2| e2c2g2|\ gfe2f2| g4a2| gfe2d2| c4:| |: c2|\ def2e2| d4g2| gagfed| e2c2c2|\ def2e2| d4g2| gfe2d2| c4:| X:57 T:Maitre de la Maison R:Branle M:2/4 L:1/8 K:Gm D|\ "Gm"Gd dc | d2B2 | "F"d2 cB | "Dm"A3 G| \ "Gm"Gd dc | d2 B2 | "F"d2 cB | "Dm"A4 |\ "Gm"GB A2 | "F"GB A2 | "Eb"GB A2 | "Dm"GB A2 | \ "Gm"G2 d2 | "F"cd BA | "Gm"G2 z ::\ "Gm"GF GA | B3 G | "F"B2 c2 | "Bb"d3 d | \ "Cm"ed dc | "Gm"d2 Bd | "F"cB AG | A4 |\ "Gm"G2 "F"F2 | "Gm"G2 z :| X:1 T:Louison Louisette C:Frederic Paris\R:bourree a trois temps A:France F:http://members.chello.at/simon.wascher Z:abc transcription Simon Wascher M:3/8 L:1/16 K:G A2AGAB | G2E2FG | A2AGAB | cdcBAG | A2AGAB | G2E2FG | A2GFED | G6 :| |:\ A2GFED | A2GFED | AGABAF | G2EFGE\ | A2GFED | A2GFED | AGABAF | G6 :| X:47 T:Les poules huppées R:bourrée à 3 temps C:trad A:Centre O:France M:3/8 L:1/8 Q:1/8=220 K:F DDF E/2D/2|A2 A/2=B/2|c/2=B/2A/2d/2 c/2B/2|c/2=B/2A/2B/2 A/2G/2| DD/2F/2 E/2D/2|A2 A/2=B/2|c/2=B/2A/2d/2 B/2d/2|A2:| |:d/2e/2|fA/2f e/2d/2|B2 d/2e/2|f/2d/2g/2f/2 e/2d/2|^cde| fA/2f e/2d/2|G2 d/2e/2|f/2d/2g/2f/2 e/2^c/2|d2:|| X:49 T:La crouzado R:Bourrée à 3 temps C:trad A:Massif Central O:France M:3/4 L:1/4 Q:1/4=200 K:Bb f2 d/2e/2|f2 d/2e/2|fed|c3|cde|f>g f|edc|d/2c/2B2:| |:c/2d/2ef|c2 f|g/2f/2ed|c/2e/2dB| c/2d/2ef|c2 f|g/2f/2ed|c2 F:| |:BA/2B/2c/2d/2|ecd|Bc/2d/2c/2B/2|A/2G/2FF| BA/2B/2c/2d/2|ecg|fd/2f/2e/2c/2|1B2F:|2B2|| X:63 T:Bourrée R:bourree C:Michael Praetorius H:XVI eme siecle O:France Z:S. Piron M:4/4 L:1/4 Q:1/2=110 K:F B|G2GA/2B/2|cFFB/2A/2|G/2F/2G/2A/2 G/2A/2B/2c/2|dDDB| G2GA/2B/2|cFFB/2A/2|G/2F/2G/2A/2 G/2A/2B/2c/2|dDDB| B3d|B3d|B/2c/2dB/2c/2d|cAAc|A/2B/2cA/2B/2c|BGGB/2A/2|G^F G/2A/2B/2G/2|ADDB| B3d|B3d|B/2c/2dB/2c/2d|cAAc|A/2B/2cA/2B/2c|BGGB/2A/2|G^F G/2A/2B/2G/2|ADD2|| X:60 T:Si j'avais un bon ami R:bourrée 2 temps C:trad. A:Morvan O:France Z:Sylvain Piron M:2/4 L:1/8 Q:1/4=120 K:Gm G>A BG|A^FG2|Bc dB|dc A2|G>A BG|A^F G2|Bc dB|dc A2| B>c de|dc A2|cBG2|A^F D2|B>c de|dc A2|cBGG|A^F G2| X:10 T:Bourrée d'Egletons R:Bourrée à 3 temps A:Corrèze O:France M:3/8 L:1/8 Q:1/4=120 K:F C F G|A2 A|B/2A/2 G F|A G2|C F G|A2 A|B/2A/2 G F|1G3:|2G2C| |:F2G|F/2E/2 D C|D2 E|D CC|F2G|F/2E/2 D C|DEC|1F2C:|2F3| X:12 T:La bergère de Coulandon R:Bourrée à deux temps C:Trad. A:Centre O:France M:2/4 Q:1/4=120 K:G c4B2c2|A6Bc|d3c B2A2|B4G4| c4B2c2|A6Bc|d3c B2A2|G8:| |:A3B A2G2|F6G2|A3B c2A2|B4G4| A3B A2G2|F6G2|A3B c2A2|G8:| X:170 T:Marianne R:Cercle C:trad A:Bearn O:France Z:S. Piron M:6/8 L:1/8 Q:1/4=190 K:C G|c2d ede|gag efe|dcd c2 G| |:c2 d ede|gag efe|1dcd e2G:|2dcd c2G| |:c2 d ede|gag efe|1dcd e2G:|2dcd c2G| |:c2d ede|gag e2d|c2d ede|1gag e2 G:|2gag ede| |:f3 ede|f3e2d|cdc BAG|cdc BAG|c2d ede|gag efe|1dcd cde:|2dcd c2 G|| X:152 T:A la pointe de l'épée R:Rondo C:trad A:Gascogne O:France M:2/4 L:1/8 Q:1/4=130 K:C EE|A>G AB|cB AB|A z:||AB|c2 ed|B2 dc| A>G AB|cB AB|c2 ed|B2 dc|AG/2A/2 BG|A z|| W: W:L'autre jour m'en étais allé W:Un flûtiau j'avais acheté (bis) W:Et le flût et le flût de mon flûtiau (bis) W:Et le rapataplan de mon tambour (bis) W: W:L'autre jour m'en étais allé W:Un violon j'avais acheté (bis) W:Et le jig et le jag de mon violon (bis) W:Et le flût et le flût de mon flûtiau (bis) W:Et le rapataplan de mon tambour (bis) %%vskip 0.5cm %%sep %%text Breton : X:55 T:Laride C:Breton S:Blowzabella M:2/2 L:1/8 Q:240 K:Gm G4 d4|c2 e2 d4|c3 d c2 A2|B2 c2 dcBA|! G4 d4|c2 e2 d4|c3 d c2 A2|B2 A2 G4:|! G4 B4|B2 G2 A4|A2 c2 c2 A2|B2 c2 dcBA|! G4 B4|B2 G2 A4|A3 B c2 d2|B2 A2 G4:|! X:56 T:Laridé R:laridé C:trad A:Bretagne O:France M:6/8 L:1/8 Q:1/4=230 K:C A|:A2 B c2B|A2GF2E|D2EF2E|D3E3:| E2FE2D|C2B,D3|E2GB2d|1c2Bc2A:|2c2BA3|| X:187 T:GAVOTTE 1 Z: Yves BELOTTEAU M:6/8 L:1/8 Q:1/4=88 K:C |Gc/2cA/2 Bc/2d3/2|cB/2A3/2 G3/2G3/2|Gc/2cA/2 Bc/2d3/2|cB/2A3/2 G3/2G3/2 | G/2c/2e/2gf/2 ef/2e3/2|dc/2ed/2 c3/2c3/2|G/2c/2e/2gf/2 ef/2e3/2|dc/2ed/2 c3/2c3/2| X:79 T:Gavotte A:Bretagne O:France M:12/8 L:1/8 Q:1/4=110 K:C E3/2AB/2cB/2c3/2|B/2c/2B/2 A G/2 A3/2A3/2:| |:E3/2AB/2cB/2c3/2|A/2B/2A/2 GA/2BG/2 F3/2| F3/2A B/2 cB/2c3/2|B/2c/2B/2AG/2 A3/2A3/2:| X:2 T:Ton simple gavotte R:Gavotte des montagnes C:Traditionnel D:Pennoù Skoulm P:C3D M:12/8 Q:C3=156 K:C %T:TS2 %%MIDI program 109 %%MIDI gchord fzcfzcfzcfzc %%MIDI chordprog 105 %%MIDI bassprog 32 %%MIDI bassvol 127 |: "Am"A2 e "C"e2 c "Dm"d2 e "F"f3|"G"eee "Dm"d2 d "F"c3 "Am"c3::\ "Am"A2 B "C"c2 d "D"e2 c "F"A3|c2 c "G"BAG "D"A3 "Am"A3:| X:6 T:Ton double gavotte C:Padrig Sicard D:Portland P:J4 M:12/8 Q:C3=156 K:Dm %T:TD2 %%MIDI program 109 %%MIDI gchord fzcfzcfzcfzc %%MIDI chordprog 105 %%MIDI bassprog 32 %%MIDI bassvol 127 P:J |: "Dm"AGA "Gm"B3/2A3/2 G3/2F3/2 "Bb"D3/2E3/2 |\ FEF "C"G2 E "Am"C3 "Dm"D3 :| |: "Dm"AGA "Gm"B3/2A3/2 G3/2F3/2 "Bb"D3/2E3/2 |\ FEF "C"G3/2A3/2 "Bb"d3/2c3/2 "Am"A3/2G3/2 |\ "F"FGA "Gm"B3/2A3/2 G3/2F3/2 "Bb"D3/2E3/2 |\ FEF "C"G2 E "Am"C3 "Dm"D3 :| %%text Transition : silence sur derni\`ere note X:7 T:Ton double gavotte C:Padrig Sicard D:Portland P:K4 M:12/8 Q:C3=156 K:Em %T:TD3 P:K |: "Em"B2 B E2 E F2 G "D"A3 | B2 d "G"B2 A "C"G3 "Em"E3 :| |: "Em"B2 B E2 E F2 G "D"A3 | B2 d "G"B2 A B2 c "D"B2 A |\ "C"GAG E2 E F2 G "D"A3|B2 d "G"B2 A "C"G3 "Em"E3 :| X:216 T:Polka N:matf01 O:France M:2/4 L:1/8 Q:1/4=120 K:C ee AA/2B/2|cB/2A/2 e2|e/2f/2e/2d/2 ee|e/2f/2e/2d/2 e2|ee AA/2B/2|cB/2A/2 e2|e/2f/2e/2d/2 cc/2B/2|Ac/2B/2 A2:| |:ee a2|g/2a/2g/2d/2 e2|e/2f/2e/2d/2 ee|e/2f/2e/2d/2 e2|ee a2|g/2a/2g/2d/2 e2|e/2f/2e/2d/2 c/2d/2c/2B/2|Ac/2B/2 A2:|| X:57 T:An dro C:trad A:Bretagne O:France M:2/2 L:1/4 Q:1/4=180 K:Bb Gdd d/2e/2|cc/2d/2B2|A/2B/2c/2A/2 BG|G/2F/2G/2A/2 BA| Gddd/2e/2|cc/2d/2B2|A/2B/2c/2A/2 BG|B/2G/2A/2F/2 G2:| |:A/2B/2c/2A/2 BG|G/2F/2G/2A/2 BA|A/2B/2c/2A/2 BG|B/2G/2A/2F/2 G2:|| X:185 T:AN DRO FOLK Z: Yves BELOTTEAU M:4/4 L:1/8 Q:1/4=88 K:C |:AAA3/2B/2 c/2d/2c/2B/2Ac/2A/2|BBB3/2d/2 cBA2:| |:eeed/2c/2 ddd2|cccB/2A/2 BBB2|ee/2d/2B3/2d/2 cBA2:| X:14 T:An Dro #3 S:Claus Steinort, Ir-Trad, 3/97 N:Session in Doolin: Michael Queally, Noel O'Donoghue, Tola Custy, Cyril N:O'Donoghue O:Breton M:4/4 L:1/8 K:Bm Bffe ~f3e|dfef d2B2|cded cBA2|BdcA BAFA| Bffe ~f3e|dfef d2B2|cded cBA2|BdcA ~B3A:| BdcB A2 A2|ABcd cBBA|BdcB A2A2|ABcd ~B3A| BdcB A2 A2|ABcd cBBA|BdcB A2A2|ABcd ~B3A:| X:58 T:Breton \#6 in G R:Other A:Brittany O:France Z:bil@blueskiesink.com M:6/4 L:1/8 K:Em G2FG E2D2 E4 | GEFG A2B2 G2E2 | \ G2FG E2D2 E4 | GEFG A2GB F4 :|! |: E2BA B2c2 AcB2 | A2BA G2E2 AGFB |\ E2BA B2c2 AcB2 | A2GA B2A2 GFE2 :| X:59 T:Breton tune R:Other S:transcribed by RR from Loose Moose Ceilidh band tape A:Brittany O:France Z:Richard Robinson M:4/4 L:1/8 K:Em EBBE GFED | EBBE G2E2 | EBBE GFED | EBBE G2E2|\ EBBE GFEG | FGAF A2GF | G2FE DEF2 | FGAF G2E2:| K:DMix DGGG ABG2 | GE EF/E/ D2D2 | \ DGGG ABG2 | GE EF/E/ D2D2 | DGGG ABG2 | GcBc A2AG | F2FG AB G2 |\ GE EF/E/ D2D2 ||** X:60 T:Breton Tune C:Traditional Z:Richard Moon, 9/9/1999 M:4/4 L:1/8 Q:140 K:AMin AB|c2 B2 AEAB|cAAG A2 ed|c2 B2 AEAB|cAAG ABcd||!e2 e2 dc A2|cB c2 de d2| B/2c/2d cB AEAB|cAAG ABcd|!e2 e2 dc A2|cB c2 de d2|B/2c/2d cB AEAB|cAAG A4|| X:285 T:En avant blonde R:Valse O:France M:3/4 L:1/4 Q:1/4=180 K:G Acd|e2e|GBc|d2d|dcB|A2c|B2G|A3:| |:e e/2d/2c/2d/2|ecA|d d/2c/2B/2c/2|dBG|e e/2d/2c/2d/2|ecA|dBG|A3:| %%vskip 0.5cm %%sep %%text Scandinavie : X:70 T:Spring Garden S:Country Dance Tunes - Cecil Sharp S:The English Dancing Master 1665 Z:Philip Rowe M:6/8 K:Am %http://www.musicaviva.com/abc/abcusers/abcusers00.abc "Am"A2Ac2c| "Dm"d3/2e/2da3| "Am"A3"F"c3| "Dm"d3/2e/2d"A"^cA2| "F"A2A"C"c2c| "Dm"d3/2e/2da3| "Am"A3"F"c3| "Dm"d3/2e/2d"A"^cA2|: "Dm"f2f"C"g3/2f/2e| "F"fa2"C"g2e| "F"f2f"C"g3/2f/2e| "F"fa2"C"g2e| "Dm"fga"C"g3/2f/2e| "Dm"dedf3/2g/2a| "F"A3"C"c3| "Dm"d3/2e/2d"A"^cA2|| "Dm"f2f"C"g3/2f/2e| "F"fa2"C"g2e| "F"f2f"C"g3/2f/2e| "F"fa2"C"g2e| "Dm"fga"C"g3/2f/2e| "Dm"dedf3/2g/2a| "F"A3"C"c3| "Dm"d3/2e/2d"A"^cA2:| % %Posted Apr 19th 2000 at ABC-users by Philip Rowe during a discussion about repeat signs. X:71 T:Menuett från Oravais T:Oravaisten Menuetti R:minuet N: Oravais is a small town on the west coast of Finland, north of Vaasa. Z: John Chambers http://eddie.mit.edu/~jc/music/abc/ M:3/4 L:1/8 K:Dm |: "Dm"A>A Ac "Gm"BG | "Dm"AF "A7"F/E/^C/E/ "Dm"D2 \ | "Dm"d>^c de fd | "Gm"ed ^cd "A7"A2 | | "Dm"A>A Ac "Gm"BG | "Dm"AF "A7"F/E/^C/E/ "Dm"DE \ | F/E/F/G/ AA FF | "A7"EE "Dm"D4 :| |: "F"C>F FE "Bb"D2 | "C7"C>c cB "F"A2 \ | A>B cB AA | "C7"GG "F"F4 | | "Dm"A>A Ac "Gm"BG | "Dm"AF "A7"F/E/^C/E/ "Dm"DE \ | F/E/F/G/ AA FF | "A7"EE "Dm"D4 :| X:72 T:Vårvindar friska R:Alvdals-polska B:svensk folkmusik 2), Kristina Ståhl Cedervall O:Gyris Anders Z:1997 by John Chambers http://eddie.mit.edu/~jc/music Z:bc/ M:3/4 L:1/8 K:Gm P: Vårvindar friska (basic tune): |: D2 G^F GA | B2 BG AA | d2 dc BA | G2 G/A/G/^F/ D2 - \ | D2 G^F GA | B2 BG AA | d2 dc BA | G2 G/^F/G/A/ G2 | G6 :| |: d2 Bd fd | d2 c/d/c/A/ F2 | F6 | B2 GB dB | B2 A/B/A/^F/ D2 | D6 \ | D2 G^F GA | B2 BG AA | d2 dc BA | G2 G/^F/G/A/ G2 | G6 :| %%sep P: Vårvindar friska (Alvdalspolska): D- \ |: D>G- G>^F- G>A | {A}B>{d}B- B>-G A>A | {A}d>d- (dc) B>A | G>G- G/A/G/ ^F/ D2 - | | D>G- G>^F- G>A | {A}B>{d}B- B>-G A>A | {A}d>d- (dc) B>A | G>G- G/^F/ G/A/ G2 | G6 :| |: {B}~d>(B- ~B>d) ~fd | d>(c- c/d/)c/A/ F2 | F6 | {A}~B>(G- G>B) dB | B>(A- A/B/)A/^F/ D2 | D6 | | D>G- G>(^F G)>A | {A}B>(B- B>G) A>A | {A}d>(d- dc) B>A | G>(G- G/^F/)G/A/ G2 | G6 :| X:73 T:In the Manchurian Hills T:Mantsurian kukkuloilla R:waltz C:J.A.Schatrow M:3/4 L:1/4 K:Am P: A: A,/B,/C/D/ \ | "Am"E3- | ECD | "E7"E3- | E3 | DE^G | c2B | "Am"A3- | A3 | | "Am"EAc | ^G2A | "Dm"BAF | B2A | "Am"EAB | "E7"c2B | "Am"A3- | "fine"A :| P: B: |: {F}E/^D/E/F/ \ | "E7"E>B,B, |zCD | "Am"E3- | E {A}G/^F/G/A/ | "G7"G>DD | ZEF | "C"G3- | GG"E7"^G | | "Am"A>EE | ((3E/F/E/) ^DE | "Dm"G2F- | FCD | "Am"EDC | "E7"B,2C | "Am"A,3- | A, :| P: A: || A,/B,/C/D/ \ | "Am"E3- | ECD | "E7"E3- | E3 | DE^G | c2B | "Am"A3- | A3 | | "Am"EAc | ^G2A | "Dm"BAF | B2A | "Am"EAB | "E7"c2B | "Am"A3- | A || P: C: |: A^G \ | "A7"A2_B | A2G | "Dm"G2F | FED | "G7"G2A | G2F | "C"FE^D | "E7"E3 | | "Am"A,CE | Ac>B | "Dm"{B}AGF | A2F | "Am"CED | "E7"B,2C | "Am"A,3- | A, :| X:74 T:In the Manchurian Hills T:Mantsurian kukkuloilla R:waltz C:J.A.Schatrow M:3/4 L:1/4 K:Am A,/B,/C/D/ \ | "Am"E3- | ECD | "E7"E3- | E3 | DE^G | c2B | "Am"A3- | A3 \ | "Am"EAc | ^G2A | "Dm"BAF | B2A | "Am"EAB | "E7"c2B | "Am"A3- | "fine"A :: E/^D/E/F/ | | "E7"E>B,B, |zCD | "Am"E3- | E G/^F/G/A/ | "G7"G>DD | ZEF | "C"G3- | GG"E7"^G \ | "Am"A>EE | ((3E/F/E/) ^DE | "Dm"G2F- | FCD | "Am"EDC | "E7"B,2C | "Am"A,3- | A, :| || A,/B,/C/D/ \ | "Am"E3- | ECD | "E7"E3- | E3 | DE^G | c2B | "Am"A3- | A3 \ | "Am"EAc | ^G2A | "Dm"BAF | B2A | "Am"EAB | "E7"c2B | "Am"A3- | A || |: A^G \ | "A7"A2_B | A2G | "Dm"G2F | FED | "G7"G2A | G2F | "C"FE^D | "E7"E3 \ | "Am"A,CE | Ac>B | "Dm"AGF | A2F | "Am"CED | "E7"B,2C | "Am"A,3- | A, :| X:75 T:Metsäkukkia (Woodland Flowers) O:Trad Finland Z: 1998 by John Chambers http://eddie.mit.edu/~jc/music/abc/ M:3/4 L:1/8 K:Gm z4 \ | "Gm"D2 G2 A2 | B2 A2 G2 | d6- | d6 \ | D2 G2 A2 | B2 A2 G2 | "Cm"e6- | e6 \ | c2 d2 e2 | e2 d2 c2 | "Gm"d6- | [d6B6] | | "D7"D2 ^F2 A2 | c2 B2 A2 | "Gm"G6- | G2 :: g3f \ | "F7"f6- | f2 g3 e | "Bb"d6- | d2 e3 d \ | "D7"c6- | c2 d3 c | "Gm"B6- | B2 d2 d2 | | "Gm"d6- | d2 c2 B2 | "D7"A6- | A2 B2 A2 \ | D2 ^C2 D2 | B4 A2 | "Gm"G6- | G2 :: z2 ~g>^f \ | "Gm"g z3 ~d>^c | d z3 ~B>A | B z3 ~G>^F | G4 d2 | | "Cm"e4 d2 | c2 e2 g2 | "Gm"d6- | d6 \ | "D7"D2 ^F3 G | A6 | "Gm"D2 G3 A | B6 \ | "D7"D2 ^F3 A | B4 A2 | "Gm"G6- | G2 :| X:76 T:Starkens Polska R:hambo-polska Z: John Chambers http://eddie.mit.edu/~jc/music/ M:3/4 L:1/8 K:Dm |: "Dm"D2 D>E F>G | A>^c d2 f2 | "A7"f>e e^c A>c |1 e/f/e/^c/ "Dm"dA FE :|2 "A7"e/f/e/^c/ "Dm"d4 :| |: "Bb"B2 d2 f2 | "F"c/d/c/B/ A2 F2 | "C7"C2 (3ECE G>E |1 "F"F>G A>B c2 :|2 "F"Fz F4 :| X:77 T:Dalafiolen C:Sven Nyhus N: 25/3-74. N: Ornamentation omitted here. B:Sven's hand-written tune book. Z: John Chambers http://eddie.mit.edu/~jc/music/abc/Scand M:3/4 L:1/8 K:ADor |: e2 \ | "D"f2 fa fd | "Am"e2 c2 A2 | "E7"B2 Bd B^G | "Am"A4 AB \ | "Am"c2 e2 e2 | "F"a4 a2 | "C"g2 ge "D"fd | "E7"e4 "A7"e2 | | "D"f2 a2 a2 | A2 d2 f2 | "Am"e2 ef ec | A4 AB \ | "Am"c2 e2 A2 | "E7"B2 Bd B^G | "Am"A3 A A2 | A4 :| K: A |: "E7"AB \ | "A"c2 cB ce | A3 FEC | A,C EA ce \ | "E7"e3 d B2 | G2 GF GB | E4 GB | e2 e^d ef | | "E7"e4 =d2 | "A"c2 cB ce | "A7"g3-f e2 | "D"d2 df a=g \ | "Bm"f3 dcB | "A"e3 cAF | "E7"E2 GE GB | "A"A3A A2 | A4 :| X:78 T:Dalafiolen C:Sven Nyhus N: 25/3-74. N: Ornamentation by Sven Nyhus. B:Sven's hand-written tune book. Z: John Chambers http://eddie.mit.edu/~jc/music/abc/Scand M:3/4 L:1/8 K:ADor |: e2 \ | "D"{fe}f2 (fa) fd | "Am"{d}e2 {cd}c2 A2 | "E7"{BA}B2 (Bd) B^G | "Am"{^G}A4 AB | | "Am"{cB}c2- e2 e2 | "F"{a^g}a4 a2 | "C"{ga}g2 (ge) "D"fd | "E7"{d}e4 "A7"e2 | | "D"{fe}f2- a2 a2 | A2- d2 {g}f2 | "Am"{d}e2 (ef) ec | A4 (AB) | | "Am"{cB}c2- e2 A2 | "E7"{BA}B2 (Bd) B^G | "Am"A3 A A2 | A4 :| K: A |: "E7"AB \ | "A"{cd}c2 (cB) ce | A3 (F{EF}EC) | (A,C) (EA) ce | | "E7"{ef}e3- d B2 | {GA}G2 (GF) GB | E4 (GB) | {^d}e2 (e^d) ef | | "E7"{^d}e4 =d2 | "A"{cd}c2 (cB) ce | "A7"{=gf}g3-f e2 | "D"{dc}d2 (df) a=g | | "Bm"{f=g}f3 (d{cd}cB) | "A"{B}e3 (cAF) | "E7"{F}E2 (GE) GB | "A"A3A A2 | A4 :| X:79 T:Vals i Gm O:efter Bertil Ferneborg Z: 1997 by John Chambers http://eddie.mit.edu/~jc/music/abc/ M:3/4 L:1/8 K:Gm d2 \ |: "Gm"ga g^f ga | g4 d2 | Bc BA Bd | B3 A G2 | "D7"D2 ^F2 A2 | d2 B2 A2 |1 "Gm"G3 ABc | "D7"d4 d2 :|2 "Gm"G3 AG^F | "Gm"G4z2 :| d2 \ |: "Gm"db b2 b2 | a4 g2 | d2 g2 g2 | d3 c B2 | "D7"D2 ^F2 A2 | d2 B2 A2 |1 "Gm"G3 ABc | "D7"d4 d2 :|2 "Gm"G3 AG^F | "Gm"G4z2 :| D2 \ |: "Gm"B,A, B,2 C2 | D3 EDC | B,D G^F GA | B4 Bc | d2 ga gd | B2 A2 G2 | "D7"^FG AB AF |1 D3 EDC :|2 "Gm"G4z2 :| d2 \ |: "Gm"(3ded c2 d2 | "Cm"e3 d c2 | "(D7)"(3cdc B2 c2 | "Gm"d3 c B2 | "D7"D2 ^F2 A2 | d2 B2 A2 |1 "Gm"G3 ABc | "D7"d4 d2 :|2 "Gm"G3 AG^F | "Gm"G4z2 :| X:80 T:Vals efter Vilhelm Hedlund C:efter Edvard Söderlund Z: John Chambers M:3/4 K:Dm L: 1/8 || A,2 |: "Dm"A,2 D2 F2 | A4 d2 | (3ded ^c2 d2 | "A7"e4 A2 \ | "Dm"(3fgf e2 d2 | "A7"^c4 A2 | "Gm"(3BcB A2 G2 | "A7"A4 A,2 | | "Dm"A,2 D2 F2 | A4 d2 | (3ded ^c2 d2 | "A7"e4 A2 \ | "Dm"(3fgf e2 d2 | "A7"^c4 A2 | (3FGF E2 ^C2 | "Dm"D4 :| || "(C7)"c2 |: "F"c2 aa a2 | c2 aa a2 | a2 b3 a | "C7"a4 g2 \ | B2 gg g2 | B2 gg g2 | "A7"g2 a3 g | "Dm"g4 f2 | | "Dm"A2 ff f2 | A2 ff f2 | "Gm"f2 g3 f | e4 d2 \ | "A7"^c3 dc=B | A2 ^c2 e2 | (3fgf e2 ^c2 | "Dm"d4 :| X:81 T:Vårvindar friska (Dagens Gryr !) R:Hambo-polska Z: 1997 by John Chambers http://eddie.mit.edu/~jc/music/abc/ M:3/4 L:1/8 K:Dm |: "Dm"D2 D>-E D>E | "Bb"F2 F>-G F>G | "A7"A2 A>-G E>F |1 "Dm"D2 D>^C A,2 :|2 "Dm".D2 D4 :| |: "F"A2 A>-B c>A | "C7"G2 G>F "A7"E2 | "Dm"F2 F>-G A>F | "A7"E2 E>^C A,2 \ | "Dm"D2 D>-E D>E | "Bb"F2 F>-G F>G | "A7"A2 A>-G E>F | "Dm".D2 D4 :| %%vskip 0.5cm %%sep %%text Ancienne : X:1 T:Alcyone T:Menuet pour les bergers et les bergeres C:Marin Marais B:XVIIIeme M:3/4 L:1/4 Q:C4=60 K:C a f g | a2 d | g/f/ e d/^c/ | d2 A | a f g | a>_b a | g f>e | e3 :| |: f>g f | c>d c | A>_B A | A F G | A f A | B B>^c | d ^c>d | d3 :| X:2 T:Alcyone T:Deuxieme menuet pour les memes C:Marin Marais B:XVIIIeme M:3/4 L:1/4 Q:C4=60 K:D f e f | f2 f/g/ | a b2 | f>e d | f e f | f2 f/g/ | a b/a/ g/f/ | e3 :| |: e f d | e>f e | f d f | e2 e | f f2 | B>c d | d A c3/4B/8c/8 | d3 :| --- X:323 T:Mist Covered Mountains, The T:Chi Mi Na Morbheanna N:Transposed from Bm for comparison B:Scots Guards Standard Settings V.1 Z:Nigel Gatherer M:6/8 L:1/8 K:Am A3 A3|e2 e e>dB|G3 G3|B>AB A>GA| c3 d3|e>fg B>AG|A>Be d>cB|A3 A3:| e3 e3|d>eg e>dB|G2 G d2 B|e2 e d>cB| A3 c3|e>fg B>AG|A>Be d>cB|A3 A3:| X:8 T:The Rocky Road To Dublin S:Toby Bennett M:9/8 K:Am % Nottingham Music Database A|"Am"efe "G"dcB "Am"A3|"Am"E2A A2A "G"Bcd|"Am"efe "G"dcB "Am"A2c|\ "G"B2A G2A Bcd| "Am"efe "G"dcB "Am"A3|"Am"E2A A2A "G"Bcd|"Em"e^fg "Bm"fga "Em"g2e|\ "G"d2B G2A Bcd| "Am"e2a a2^f "G"g2b|"Am"e2a a2A "G"Bcd|"Am"e2a a2^f "G"g2e|"G"d2B G2A Bcd| "Am"e2a a2^f "G"g2b|"Am"e2a a2A "G"Bcd|"Em"e^fg "Bm"fga "Em"g2e|"G"d2B G2A Bcd\ ||